Munich Biennale





The Munich Biennale (German: Münchener Biennale) is an opera festival in the city of Munich. The full German name is Internationales Festival für neues Musiktheater, literally: International Festival for New Music Theater. The biennial festival was created in 1988 by Hans Werner Henze and is held in even-numbered years over 2–3 weeks in the late spring. The festival concentrates on world premieres of theater-related contemporary music, with a particular focus on commissioning first operas from young composers.[1][2]




Contents






  • 1 The first four festivals, under Henze


  • 2 The later festivals, under Peter Ruzicka


  • 3 Operas given at the Munich Biennale


  • 4 Significance


  • 5 References


  • 6 External links





The first four festivals, under Henze


Henze, himself a prolific composer of operas, described the genesis of the festival like this:


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The whole story started with a query from the departmental head of the (Munich) cultural office ... whether I ... would be interested in considering creating some sort of civic music festival in Munich. After a period of time I suggested organizing something that had been lacking up until that point, something that also did not exist anywhere else in the world and yet was an urgent necessity – namely, a place where the young generation of composers interested in theatre ... could realize their ideas.[3]


Henze curated the first four festivals, from 1988 to 1994, and established the general format of most of the festivals that followed.[4] Short runs of the premiered operas are preceded by talks and additional concerts from the featured composers, to introduce the audiences to their ideas and music.[5]



The later festivals, under Peter Ruzicka


Peter Ruzicka took over as artistic director ("one of the most influential administrative/ artistic positions in the European music-theatre scene")[6] in 1996, with that year's biennale being jointly curated by Henze. Ruzicka broadened the scope of the works presented, with more emphasis on works using multimedia, and moving away from the text-based sources that characterised the period curated by Henze.[7]



Operas given at the Munich Biennale


World premieres are marked as WP


























































































































































































































































































































































Premiere

Composer
Title
Libretto and source

29 May 1988
WP

Detlev Glanert

Leyla und Medjnun

Aras Ören [de] and Peter Schneider, after the epic poem by Nizami

3 Jun 1988
WP

Gerd Kühr

Stallerhof

Franz Xaver Kroetz, after his own play

4 Jun 1988
WP

Adriana Hölszky

Bremer Freiheit

Thomas Körner (librettist) [de], after the play by Rainer Werner Fassbinder

17 Jun 1988
WP

Mark-Anthony Turnage

Greek
the composer and Jonathan Moore, after the play by Steven Berkoff

26 Apr 1990
WP

András Hamary

Seid still

José Vera Morales, after the play Tóték by István Örkény

28 Apr 1990
WP

Wolfgang von Schweinitz

Patmos

D. E. Sattler [de], after the Apocalypse of St John in Martin Luther's translation

6 May 1990
WP

Hans-Jürgen von Bose

63: Dream Palace
the composer, after the novella by James Purdy

14 May 1990
WP

Michèle Reverdy

Le Précepteur

Hans-Ulrich Treichel, after the play Der Hofmeister by Jakob Michael Reinhold Lenz

7 May 1992
[8]
Violeta Dinescu

Eréndira

Monika Rothmaier, after the story The Incredible and Sad Tale of Innocent Eréndira and Her Heartless Grandmother by Gabriel García Márquez

29 Apr 1992
WP

Jorge Liderman

Antigona Furiosa
the composer, after the drama by Griselda Gambaro

27 May 1992
[9]
Giorgio Battistelli

Teorema
the composer, loosely after the film by Pier Paolo Pasolini

16 May 1992
WP

Gerhard Stäbler

Sünde.Fall.Beil

Andreas Lechner [de], after the drama Catherine Howard by Alexandre Dumas père

22 May 1992
[10]
Param Vir

Broken Strings

David Rudkin, after the Buddhist story Guttil Jatak

22 May 1992
[10]
Param Vir

Snatched by the Gods

William Radice, after the poem Debatar Gras by Rabindranath Tagore

01 May 1994
WP

Tania León

Scourge of Hyacinths
the composer, after the radio play by Wole Soyinka

19 May 1994
WP

Benedict Mason

Playing Away

Howard Brenton

4 Dec 1996
WP

Michael Obst

Solaris
the composer, after the novel by Stanislaw Lem

9 Dec 1996
WP

Hanna Kulenty

The Mother of Black-Winged Dreams
Paul Goodwin

14 Apr 1997
WP

Roderick Watkins

The Juniper Tree

Patricia Debney, after the folk tale by the Brothers Grimm

19 Apr 1998
WP

Toshio Hosokawa

Vision of Lear

Tadashi Suzuki, after his stage play The Tale of Lear

21 Apr 1998
WP

Sandeep Bhagwati

Ramanujan
the composer, after the life of Indian mathematician Srinivasa Ramanujan (1887-1920)

25 Apr 1998
WP

Jan Müller-Wieland

Komödie ohne Titel
the composer, after the drama Comedia sin título by Federico García Lorca

19 Apr 1999
WP

Mauricio Sotelo

De Amore

Peter Mussbach [de]

10 May 2000
WP

Chaya Czernowin

Pnima ... ins Innere


27 Apr 2002
WP

André Werner

Marlowe: Der Jude von Malta
the composer, after the play The Jew of Malta by Christopher Marlowe

3 May 2002
WP

Manfred Stahnke

Orpheus Kristall
Simone Homem de Mello

12 May 2004
WP

Johannes Maria Staud

Berenice

Durs Grünbein, after Edgar Allan Poe

25 May 2004
WP

Brian Ferneyhough

Shadowtime

Charles Bernstein

9 May 2006
WP

Aureliano Cattaneo

La Philosophie dans le labyrinthe

Edoardo Sanguineti, after the Greek myth of the Minotaur

18 May 2006
WP

José María Sánchez-Verdú

GRAMMA
the composer

17 Apr 2008
WP

Enno Poppe

Arbeit Nahrung Wohnung

Marcel Beyer, loosely after the novel Robinson Crusoe by Daniel Defoe

18 Apr 2008
WP

Klaus Lang

Die Architektur des Regens
after the Noh play Shiga by Zeami (c1363–c1443)

23 Apr 2008
WP

Carola Bauckholt

hellhörig
(none)

30 Apr 2008
WP

Jens Joneleit

Piero – Ende der Nacht

Michael Herrschel, loosely after the novel Die Rote by Alfred Andersch

27 Apr 2010
WP

Philipp Maintz

Maldoror

Thomas Fiedler, after Les Chants de Maldoror by Comte de Lautréamont

28 Apr 2010
WP

Márton Illés

Die weiße Fürstin
after the first draft of the dramatic poem by Rainer Maria Rilke

5 May 2010
WP

Klaus Schedl

Tilt[11]

Roland Quitt, after the diary of Sir Walter Raleigh

5 May 2010
WP

Tato Taborda

Der Einsturz des Himmels[11]
Roland Quitt, after the book La Chute du Ciel by Davi Kopenawa and Bruce Albert

5 May 2010
WP

Ludger Brummer (web)

In Erwartung[11]

Peter Weibel

9 May 2010
WP

Lin Wang

Die Quelle
the composer and Can Xue, after a story "the Double Life" by Can Xue

3 May 2012
WP

Sarah Nemtsov

L'Absence
the composer, after Livre des Questions by Edmond Jabès

5 May 2012
WP

Eunyoung Esther Kim (web)

Mama Dolorosa
Yona Kim

16 May 2012
WP

Arnulf Herrmann

Wasser
Nico Bleutge (lyrics)

7 May 2014
WP[12]

Marko Nikodijević [de]

Vivier

Gunther Geltinger [de], after the life and death of Claude Vivier

8 May 2014
WP[12]

Samy Moussa (web)

Vastation

Toby Litt

11 May 2014


Claude Vivier

Kopernikus
opéra-rituel de mort, libretto by the composer

17 May 2014
WP[12]

Dieter Schnebel

Utopien


22 May 2014
WP[12]

Héctor Parra

Das geopferte Leben

Marie NDiaye


Significance


The Munich Biennale has provided first or early commissions for stage works from many composers now established as opera composers, such as Mark-Anthony Turnage, Detlev Glanert, Gerd Kühr, Hans-Jürgen von Bose, Param Vir, Toshio Hosokawa and Violeta Dinescu.


The strongly international scope of the festival has meant that it has been able to offer opportunities missing at a national level.[13]



References


Notes





  1. ^ Munich Biennale Concert Series: Biennale plus Archived 30 July 2012 at Archive.today Ernst von Siemens music foundation 2010


  2. ^ Hans Werner Henze: Komponist der Gegenwart. p. 117..mw-parser-output cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"""""""'""'"}.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/12px-Wikisource-logo.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}


  3. ^ "Munich Biennale Official website". Munich Biennale. Archived from the original on 12 February 2013. Retrieved 27 March 2011.


  4. ^ Official website, archive notes to first biennale, 1988 Archived 5 September 2012 at Archive.today


  5. ^ Official website, Klangspuren (discussion concerts) archive Archived 1 April 2011 at the Wayback Machine


  6. ^ Salzman, Desi, p. 164


  7. ^ Official website, archive notes to fifth biennale, 1996


  8. ^ Dinescu's Eréndira was a co-commission with the Staatsoper Stuttgart, where it had its world premiere on 18 March 1992


  9. ^ Battistelli's Teorema was a co-commission with the Maggio Musicale Fiorentino, where it had its world premiere in the Teatro Comunale, on 10 May 1992


  10. ^ ab Vir's operas Broken Strings and Snatched by the Gods were a co-commission with De Nederlandse Opera in Amsterdam, where they had their world premieres on 11 May 1992


  11. ^ abc Tilt, Der Einsturz des Himmels and In Erwartung were presented in a triple bill entitled Amazonas


  12. ^ abcd Advance information for the 2014 edition from the Munich Biennale website. Retrieved 25 Dec 2013


  13. ^ Salzman, Desi; p.222: ".. with one or two notable exceptions, the lively London theatre and music scene has not developed a strong creative music-theatre component. The result is that the Munich Biennale and the film industry have sometimes been better patrons for new British opera and music theatre than local musical institutions".



Sources




  • münchener biennale Festival website Retrieved 13 March 2012


  • Salzman, Eric; Desi, Thomas (2008). The New Music Theater: Seeing the Voice, Hearing the Body. Oxford University Press USA. ISBN 978-0-19-509936-2.



External links



  • Peter & Alexa Woolf: Munich Biennale 2000 (Contemporary Music Festival) 4-19 May 2000 (PGW & AW) musicweb-international.com 2000

  • John Warnaby: Tenth Münchener Biennale musicweb-international.com 20 May 2006


  • Komponieren für die reine Natur Münchener Merkur 23 April 2010 (in German)


  • Münchener Biennale / Urwald-Symphonie und surrealer Seelentrip[permanent dead link]Bayerischer Rundfunk 14 May 2010 (in German)

  • Gerhard Rohde: Münchener Biennale / Wozu der ganze Aufwand? FAZ 12 May 2010 (in German)









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