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"Mandarin Ducks" by Hiroshige, digitally restored. The Utagawa school ( 歌川派 ) was a group of Japanese woodblock print artists, founded by Toyoharu. His pupil, Toyokuni I, took over after Toyoharu's death and raised the group to become the most famous and powerful woodblock print school for the remainder of the 19th century. Hiroshige, [1] Kunisada, Kuniyoshi and Yoshitoshi were Utagawa students. The school became so successful and well known that today more than half of all surviving ukiyo-e prints are from it. Founder Toyoharu adopted Western-style deep perspective, an innovation in Japanese art. His immediate followers, Utagawa Toyohiro and Utagawa Toyokuni adopted bolder, more sensuous styles than Toyoharu and specialized in different genres — Toyohiro in landscapes and Toyokuni in kabuki actor prints. Later artists in the school specialized in other genres, such as warrior prints and mythic parodies. [2] Contents 1 Utagawa school and inherited ar

In this Japanese name, the family name is Utagawa. Utagawa Toyoharu (歌川 豊春, c.  1735  – 1814) was a Japanese artist in the ukiyo-e genre, known as the founder of the Utagawa school and for his uki-e pictures that incorporated Western-style geometrical perspective to create a sense of depth. Toyoharu was born in Japan in Tajima Province (in red) in 1735. Born in Toyooka in Tajima Province, Toyoharu first studied art in Kyoto, then in Edo (modern Tokyo), where from 1768 he began to produce designs for ukiyo-e woodblock prints. He soon became known for his uki-e "floating pictures" of landscapes and famous sites, as well as copies of Western and Chinese perspective prints. Though his were not the first perspective prints in ukiyo-e, they were the first to appear as full-colour nishiki-e , and they demonstrate a much greater mastery of perspective techniques than the works of his predecessors. Toyoharu was the first to make the landscape a subject of ukiyo-e ar

In this Japanese name, the family name is Kitao. Birds and Iris Kitao Shigemasa ( 北尾 重政 , 1739 – 8 March 1820) was a Japanese ukiyo-e artist from Edo. He was one of the leading printmakers of his day, but his works have been slightly obscure. He is noted for images of beautiful women ( bijinga ). He was taught by Shigenaga and has been referred to as "a chameleon" who adopted to changing styles. He was less active after the rise of Torii Kiyonaga and produced relatively few works considering the length of his career. [1] He is also noted for his haikai (poetry) and shodō (Japanese calligraphy). In his later years he used the studio name Kosuisai. [2] Contents 1 Life and career 2 Gallery 3 References 3.1 Works cited 4 External links Life and career Shigemasa was born the eldest son of bookseller Suharaya Mohei in 1739 in Nihonbashi area Edo (modern Tokyo). His family name was Kitabatake and his childhood name was Tarōkichi. Throug

In this Japanese name, the family name is Isoda. Hinagata wakana no hatsu moyō Isoda Koryūsai ( 礒田 湖龍斎 , 1735–1790) was a Japanese ukiyo-e print designer and painter active from 1769 to 1790. Contents 1 Life and career 2 Work 3 Legacy 4 References 4.1 Works cited 5 External links Life and career Koryūsai was born in 1735 and worked as a samurai in the service of the Tsuchiya clan. He became a masterless rōnin after the death of the head of the clan and moved to Edo (modern Tokyo) where he settled near Ryōgoku Bridge in the Yagenbori area. He became a print designer there under the art name Haruhiro in 1769, at first making samurai-themed designs. The ukiyo-e print master Harunobu died in 1770, and about that time Koryūsai began making prints in a similar style of life in the pleasure districts. [1] Koryūsai was a prolific designer of individual prints and print series, [1] most of which appeared between 1769 and 1881. [2] In 178