American International Pictures

American International Pictures

Industry	Filmed entertainment
Fate	Acquired by Filmways
Successor	Filmways
Founded	April 2, 1954
Founder	James H. Nicholson, Samuel Z. Arkoff
Defunct	1980
Headquarters	Los Angeles, California
Key people	Roger Corman, Alex Gordon, Lou Rusoff, Herman Cohen

Roger Corman's The Raven (1963)

American International Pictures (AIP) was an independent film production and distribution company formed on April 2, 1954 as American Releasing Corporation (ARC) by James H. Nicholson, former Sales Manager of Realart Pictures, and Samuel Z. Arkoff, an entertainment lawyer. It was dedicated to releasing low-budget films packaged as double features, primarily of interest to the teenagers of the 1950s, 1960s, and 1970s. Nicholson and Arkoff formed ARC in 1954;^[1] their first release was The Fast and the Furious in 1955.

Contents

• 
  1 AIP personnel
  


• 
  2 Emphasis on teenagers
  


• 
  3 The ARKOFF formula
  


• 
  4 American Releasing Company
  
  
  
  • 
    4.1 Roger Corman
    
  
  
  • 
    4.2 Alex Gordon
    
  
  
  
  


• 
  5 American International in the 1950s
  
  
  
  • 
    5.1 Roger Corman
    
  
  
  • 
    5.2 Alex Gordon and Lou Rusoff
    
  
  
  • 
    5.3 Herman Cohen
    
  
  
  • 
    5.4 Other producers
    
  
  
  • 
    5.5 Pickups
    
  
  
  • 
    5.6 Anglo-Amalgamated
    
  
  
  • 
    5.7 Late 1950s crisis
    
  
  
  
  


• 
  6 AIP's 1960s output
  
  
  
  • 
    6.1 Imports
    
  
  
  • 
    6.2 The Corman-Poe cycle
    
    
    
    • 
      6.2.1 List of Corman-Poe films
      
    
    
    
    
  
  
  • 
    6.3 Beach Party era
    
  
  
  • 
    6.4 International American International
    
  
  
  • 
    6.5 AIP-TV
    
  
  
  • 
    6.6 AIP Records
    
  
  
  
  


• 
  7 Later years
  
  
  
  • 
    7.1 Resignation of Nicholson
    
  
  
  
  


• 
  8 Arkoff alone
  


• 
  9 Merger with Filmways
  


• 
  10 List of American International Pictures films
  
  
  
  • 
    10.1 1950s
    
  
  
  • 
    10.2 1960s
    
  
  
  • 
    10.3 1970s
    
  
  
  • 
    10.4 1980s
    
  
  
  • 
    10.5 Unproduced films
    
  
  
  
  


• 
  11 Financial earnings
  


• 
  12 Notes
  


• 
  13 References
  


• 
  14 External links
  

AIP personnel

Nicholson and Arkoff served as executive producers while Roger Corman and Alex Gordon were the principal film producers and, sometimes, directors. Writer Charles B. Griffith wrote many of the early films, along with Arkoff's brother-in-law, Lou Rusoff, who later produced many of the films he had written. Other writers included Ray Russell, Richard Matheson and Charles Beaumont. Floyd Crosby, A.S.C. famous for his camera work on a number of exotic documentaries and the Oscar winner, High Noon, was chief cinematographer. His innovative use of surreal color and odd lenses and angles gave AIP films a signature look. The early rubber monster suits and miniatures of Paul Blaisdell were used in AIP's science fiction films. The company also hired Les Baxter^[2] and Ronald Stein to compose many of its film scores.

In the 1950s the company had a number of actors under contract, including John Ashley, Fay Spain and Steve Terrell.

Emphasis on teenagers

When many of ARC/AIP's first releases failed to earn a profit, Arkoff quizzed film exhibitors who told him of the value of the teenage market as adults were watching television.^[3][4] AIP stopped making Westerns with Arkoff explaining: "To compete with television westerns you have to have color, big stars and $2,000,000".^[5]:126

AIP was the first company to use focus groups,^[6] polling American teenagers about what they would like to see and using their responses to determine titles, stars, and story content. AIP would question their exhibitors (who often provided 20% of AIP's financing^[5]:35) what they thought of the success of a title, then would have a writer create a script for it.^[5]:156 A sequence of tasks in a typical production involved creating a great title, getting an artist such as Albert Kallis who supervised all AIP artwork from 1955–73^[7] to create a dynamic, eye-catching poster, then raising the cash, and finally writing and casting the film.

The ARKOFF formula

Samuel Z. Arkoff related his tried-and-true "ARKOFF formula" for producing a successful low-budget movie years later, during a 1980s talk show appearance. His ideas for a movie included:

• 
  Action (exciting, entertaining drama)


• 
  Revolution (novel or controversial themes and ideas)


• 
  Killing (a modicum of violence)


• 
  Oratory (notable dialogue and speeches)


• 
  Fantasy (acted-out fantasies common to the audience)


• 
  Fornication (sex appeal, for young adults)

Later the AIP publicity department devised a strategy called "The Peter Pan Syndrome":

a) a younger child will watch anything an older child will watch;

b) an older child will not watch anything a younger child will watch;

c) a girl will watch anything a boy will watch

d) a boy will not watch anything a girl will watch;

therefore:

to catch your greatest audience you zero in on the 19-year-old male.^[8]

American Releasing Company

AIP began as the American Releasing Company, a new distribution company formed in the early 1950s formed by James H. Nicholson and Samuel Z. Arkoff.

Roger Corman

They were interested in distributing a car chase movie produced by Roger Corman for his Palo Alto Productions, The Fast and the Furious (1955). Corman had received offers from other companies for the film, but ARC offered to advance money to enable Corman to make two other films. Corman agreed, The Fast and the Furious performed well at the box office and the company was launched.

Corman's next two films for the company were a Western Five Guns West (1955), which Corman directed, and a science fiction film, The Beast with a Million Eyes (1955). The title from the latter had come from Nicholson.

ARC also distributed the Western Outlaw Treasure (1955) starring Johnny Carpenter.

Alex Gordon

ARC got Corman to direct another Western and science fiction double bill Apache Woman (1955) and Day the World Ended (1955). Both scripts were written by Arkoff's brother-in-law Lou Rusoff, who would become the company's leading writer in its early days. Apache Woman was produced by Alex Gordon, an associate of Arkoff's, Day was produced by Corman. Both were made by Golden State Productions, ARC's production arm.^[9]

Normally B movies were made for the second part of a bill and received a flat rate. As television was encroaching on the B movie market, Nicholson and Arkoff felt it would be more profitable to make two low budget films and distribute them together on a double bill. Nicholson came up with a title for a film to support Day the World Ended, The Phantom from 10,000 Leagues (1955), but lacked the money to make both films. They split the costs with Dan and Jack Milner, film editors who wanted to get into production. The resulting double bill was very successful at the box office. ^[9]

Gordon also produced The Oklahoma Woman (1955), a Western by Corman, made through Sunset Productions. It was put on a double bill with Female Jungle (1955), a film noir.

Other films released under the ARC banner include a British documentary Operation Malaya (1955) and Corman's Gunslinger (1956).

American International in the 1950s

Arkoff and Nicholson had always wanted to name their company "American International Pictures" but the name was unavailable. When the name became available, they changed over.

There were three main production arms at AIP in the late 1950s: Roger Corman, Alex Gordon and Lou Rusoff, and Herman Cohen. Arkoff and Nicholson would buy films from other filmmakers as well, and import films from outside America.

Roger Corman

Corman continued to be an important member of AIP (though he also worked for Allied Artists and his own Filmgroup company during this period). He had a big hit for the company with the science fiction film It Conquered the World (1956) from a script by Rusoff that was rewritten by Charles B. Griffith.

His films included Rock All Night (1956); Naked Paradise (1957), in which Arkoff had a small role; The Undead, Sorority Girl, The Saga of the Viking Women and Their Voyage to the Waters of the Great Sea Serpent (1957), Machine Gun Kelly with Charles Bronson, and Teenage Cave Man (1958), with Robert Vaughn.

AIP also distributed films Corman helped finance such as Night of the Blood Beast, She Gods of Shark Reef and The Brain Eaters (1958).

Alex Gordon and Lou Rusoff

The other key producer for AIP was Alex Gordon who mostly made films though his Golden State Productions outfit, usually written by Lou Rusoff. He made Girls in Prison (1956), with director Edward L. Cahn who would become one of AIP's most prolific directors. AIP released it on a double bill with Hot Rod Girl (1956).

Cahn also directed the following for Gordon: The She-Creature (released with It Conquered the World); Flesh and the Spur, the last Western made by AIP; Shake, Rattle & Rock!, a rock musical with Mike Connors; Runaway Daughters (1956); Voodoo Woman, Dragstrip Girl (1957), with John Ashley; Motorcycle Gang (1957), again with Ashley; Jet Attack and Submarine Seahawk (1958). Most of these were written by Rusoff and directed by Edward L. Cahn.

Gordon left AIP and Rusoff alone produced Hot Rod Gang (1958) and Ghost of Dragstrip Hollow (1959).

Herman Cohen

Another key producer for AIP was Herman Cohen who had a huge hit with I Was a Teenage Werewolf (1957) starring Michael Landon). He followed it with I Was a Teenage Frankenstein, Blood of Dracula (1957), How to Make a Monster (1958), The Headless Ghost and Horrors of the Black Museum (1959).

Other producers

Other key collaborators who worked for AIP in the late 1950s included:

• Norman T. Herman: Hot Rod Girl (1956)


• Robert Gurney: Invasion of the Saucer Men (1957), Reform School Girl (1957) and Terror from the Year 5000 (1958)


• 
  Bert I. Gordon: The Amazing Colossal Man (1957), Attack of the Puppet People (1958), War of the Colossal Beast (1958) and Earth vs. the Spider (1958)


• 
  Burt Topper: Hell Squad (1958), Tank Commandos (1959) and Diary of a High School Bride (1959)


• 
  Edward Bernds: High School Hellcats (1958).


• Stanley Shpetne: The Bonnie Parker Story (1958) and Paratroop Command (1959).


• Stanley Kallis: Operation Dames (1959) and Roadracers (1959).

Pickups

AIP would flesh out their distribution schedule by buying films made by outside producers. These included The Astounding She-Monster, the documentary Naked Africa, The Screaming Skull (1957), The Cool and the Crazy, Daddy-O, Dragstrip Riot and Tank Batallion (1958).

Anglo-Amalgamated

AIP developed a mutual relationship with Britain's Anglo-Amalgamated who would distribute AIP's product in the UK. In return, AIP would distribute their films in the US, such as The Tommy Steele Story (1957) and Cat Girl (1957).

AIP also imported The White Huntress (1954, England), Pulgarcito (1958, Mexico) and The Sky Calls (1959, Russia).

Late 1950s crisis

AIP became a victim of its own success when other companies started copying its double-bill strategy. Costs were rising and were not compensated by increased box office grosses. They shut down most of their production arms and focused on distributing films from Italy, while they decided what to do next.

AIP's 1960s output

Imports

In the late 1950s, AIP kept their company afloat by importing films from Italy. These included Sheba and the Gladiator (1959), Goliath and the Barbarians (1959)

There was also Atomic Agent (1959, France), The Angry Red Planet (1959, Denmark), Tiger of Bengal (1959) and The Indian Tomb (1960) from Fritz Lang in Germany, Portrait of a Sinner (1959, Germany), The Professionals (1960, Britain), and Escape to Paradise (1960, the Philippines).

They also bought Why Must I Die? and The Jailbreakers (1960).

The Corman-Poe cycle

In the early 1960s, AIP gained some kudos by combining Roger Corman, Vincent Price and the stories of Edgar Allan Poe into a series of horror films, with scripts by Richard Matheson, Charles Beaumont, Ray Russell, R. Wright Campbell and Robert Towne.

The original idea, usually credited^[who?] to Corman and Lou Rusoff, was to take Poe's story "The Fall of the House of Usher", which had both a high name-recognition value and the merit of being in the public domain, and thus royalty-free, and expand it into a feature film. Corman convinced the studio to give him a larger budget than the typical AIP film so he could film the movie in widescreen and color, and use it to create lavish sets as well.^[10]
The success of House of Usher led AIP to finance further films based on Poe's stories. The sets and special effects were often reused in subsequent movies (for example, the burning roof of the Usher mansion reappears in most of the other films as stock footage) making the series quite cost-effective. All the films in the series were directed by Roger Corman, and they all starred Price except The Premature Burial, which featured Ray Milland in the lead. It was originally produced for another studio, but AIP acquired the rights to it.^[11]

As the series progressed, Corman made attempts to change the formula. Later films added more humor to the stories, especially The Raven, which takes Poe's poem as an inspiration and develops it into an all-out farce starring Price, Boris Karloff and Peter Lorre; Karloff had starred in a 1935 film with the same title. Corman also adapted H. P. Lovecraft's short novel The Case of Charles Dexter Ward in an attempt to get away from Poe, but AIP changed the title to that of an obscure Poe poem, The Haunted Palace, and marketed it as yet another movie in the series. The last two films in the series, The Masque of the Red Death and The Tomb of Ligeia, were filmed in England with an unusually long schedule for Corman and AIP.

Although Corman and Rusoff are generally credited with coming up with the idea for the Poe series, in an interview on the Anchor Bay DVD of Mario Bava's Black Sabbath, Mark Damon claims that he first suggested the idea to Corman. Damon also says that Corman let him direct The Pit and the Pendulum uncredited. Corman's commentary for Pit mentions nothing of this and all existing production stills of the film show Corman directing.

List of Corman-Poe films

Of eight films, seven feature stories that are actually based on the works of Poe.

1. 
   House of Usher (1960) - Based on the short story "The Fall of the House of Usher"


2. 
   The Pit and the Pendulum (1961) - Based on the title of the short story of the same name
   


3. 
   The Premature Burial (1962) - Based on the short story of the same name
   


4. 
   Tales of Terror (1962) - Based on the short stories "Morella", "The Black Cat", "The Cask of Amontillado" and "The Facts in the Case of M. Valdemar"


5. 
   The Raven (1963) - Based on the poem of the same name
   


6. 
   The Haunted Palace (1963) - Based on H.P. Lovecraft's novella The Case of Charles Dexter Ward, using the title from Poe's 1839 poem
   


7. 
   The Masque of the Red Death (1964) - Based on the short story of the same name with another Poe short story, "Hop-Frog", used as a subplot


8. 
   The Tomb of Ligeia (1965) - Based on the short story "Ligeia"

Occasionally, Corman's 1963 film The Terror (produced immediately after The Raven) is recognized as being part of the Corman-Poe cycle, although the film's story and title are not based on any literary work.

Based in rented office space at the Chaplin Studios, during the early 1960s AIP concentrated on horror films inspired by the Poe cycle. In 1962, Arkoff said AIP were in a position similar to Columbia Pictures just before they made Submarine and Dirigible:

Before that they were on poverty row. Our better position will enable us to obtain more important writers, perhaps more important producers as well. We're a privately owned company at the moment but perhaps within two or three years we will become a public company.^[12]

Beach Party era

Beginning with 1963's Beach Party, AIP created a new genre of beach party films featuring Annette Funicello and Frankie Avalon. The original idea and the first script were Rusoff's. The highly successful and often imitated series ended in 1966 with the seventh film, The Ghost in the Invisible Bikini. Many actors from the beach films also appeared in AIP's spy-spoofs, such as Dr. Goldfoot and the Bikini Machine (1965) and car racing sagas like Fireball 500 (1966) and Thunder Alley. During this time, AIP also produced or distributed most of Corman's horror films such as X: The Man with X-Ray Eyes.

In 1966, the studio released The Wild Angels starring Peter Fonda, based loosely on the real-life exploits of the Hells Angels motorcycle gang. This film ushered in AIP's most successful year and kicked off a subgenre of motorcycle gang films that lasted almost ten years and included Devil's Angels, The Glory Stompers with Dennis Hopper, and The Born Losers—the film that introduced the Billy Jack character.

In 1968, AIP launched a $22 million film program.^[13] The psychedelic and hippie scenes of the late '60s were also exploited with films like The Trip, also with Fonda, Riot on Sunset Strip, Wild in the Streets, Maryjane, Gas-s-s-s and Psych-Out with Jack Nicholson. These "social protest" films were also highly successful. Horror movies also enjoyed a revival of popularity in the late 60s.^[14]

International American International

In the United Kingdom, AIP struck up a film making partnership with Nat Cohen and Stuart Levy's Anglo-Amalgamated.

On a trip to Italy, Arkoff met Fulvio Lucisano, an Italian screenwriter and producer who eventually headed Italian International Film,^[15] which co-produced 25 films in Italy for AIP.^[16] Due to importing completed productions from other foreign countries being cheaper and more simplistic than producing their own in-house studio films in America, AIP had released many giallo, peplum, Eurospy and Macaroni Combat war films featuring many American stars and Italian stars such as the comedy team of Franco Franchi and Ciccio Ingrassia. However, AIP released only two Spaghetti Westerns (Massacre Time and God Forgives... I Don't!), perhaps recalling their failure of Westerns in the 1950s. Many of these films were edited, rewritten with different (dubbed English) dialogue, usually by Arkoff's nephew Ted Rusoff, and sometimes rescored by Les Baxter.

AIP, through Henry G. Saperstein is known for being the major U.S. distributor for Toho's Godzilla and Daiei's Gamera (kaiju) films of the '60s and '70s. AIP also distributed other Japanese science fiction films like Frankenstein Conquers the World, Monster from a Prehistoric Planet and the South Korean production Yonggary, Monster from the Deep as well as two Japanese animated features from Toei Animation, Alakazam the Great and Jack and the Witch.

AIP also released a pair of Japanese spy thrillers redubbed as a comedy co-written by Woody Allen called What's Up Tiger Lily?.^[17]

The studio also released edited and English-dubbed versions of several Eastern Bloc science fiction films, that had the dialogue rewritten for the American market and in some cases had additional scenes filmed with American and British actors. These include the Soviet film Planeta Bur (Planet of Storms) which was released by AIP in two different English-dubbed versions, as Voyage to the Prehistoric Planet and Voyage to the Planet of Prehistoric Women and the highly regarded 1963 Czech science fiction film Ikarie XB-1, which was retitled Voyage to the End of the Universe.

A few years later, AIP backed a British Poe film directed by Gordon Hessler: The Oblong Box (1969) based on the short story of the same name.

AIP-TV

In 1964, AIP became one of the last film studios to start its own television production company, American International Productions Television (a.k.a. American International Television or AIP-TV).^[18] AIP-TV at first released many of their 1950s films to American television stations, then filmed unsuccessful television pilots for Beach Party and Sergeant Deadhead. The company then made several colour sci-fi/horror television films by Larry Buchanan that were remakes of black-and-white AIP films, and sold packages of many dubbed European, Japanese and Mexican films (the last type produced by K. Gordon Murray) and foreign-made live-action and animated TV series (including Prince Planet). The best known animated series AIP-TV distributed was Sinbad Jr. and his Magic Belt.

In order to allay the fears of cinema owners who feared current releases would soon end up being shown on television, AIP issued a statement retroactive to 1963 that the company would not release any of their films to television until five years after cinema release unless the film had not made back its original negative costs.^[19] AIP-TV also filmed specials of promotion of AIP films such as The Wild Weird World of Dr. Goldfoot (1965, ABC) and An Evening of Edgar Allan Poe (1972, syndication), both with Vincent Price.

In 1978, AIP-TV distributed the pop music series Twiggy's Jukebox. For several years around this time, AIP-TV also distributed several British TV series, including The Avengers, to U.S. stations.

AIP Records

AIP started their own record label, American International Records, in 1959^[20] to release music used in their films. There were a number of soundtrack albums as well.^[21]

AIP Records was once distributed by MGM Records,^[22] the record label owned by AIP's successor-in-interest MGM.

Later years

In 1969 AIP went public to raise extra capital, issuing 300,000 shares.^[23][24]

In 1970, they entered into an agreement with Commonwealth United Entertainment to issue their films.^[25] In 1971 they released 31 films, their greatest number to date, and were seen as one of the most stable companies in Hollywood.^[26] Despite their exploitation roots, they did not concentrate on X or R rated filmmaking during this period.^[27]

Resignation of Nicholson

In 1972 James H. Nicholson resigned from AIP to set up his own production company working out of 20th Century Fox, called Academy Pictures Corporation; its only two releases were The Legend of Hell House and Dirty Mary Crazy Larry.^[28][29] AIP bought out over 100,000 of Nicholson's shares.^[30] He died shortly thereafter of a cancerous brain tumor.^[31]

Arkoff alone

Arkoff continued on at AIP as president until the end of the decade. Heads of production during the 1970s included Larry Gordon^[32] and Jere Henshaw.

By the early 1970s AIP felt the horror movie cycle was in decline, and so switched to other genres, such as kung fu and gangsters.^[33] Notably they produced some of that decade's blaxploitation films like Blacula, and Foxy Brown. In a throwback to the old "studio days", the company is credited with making Pam Grier a household name, as the majority of her early '70s films were made under contract to American International.

In the mid to late 1970s, AIP began to produce more mainstream films such as Bunny O'Hare, Cooley High, The Great Scout & Cathouse Thursday, The Amityville Horror, Love at First Bite, Meteor, Force 10 from Navarone, Shout at the Devil, The Island of Dr. Moreau and C.H.O.M.P.S.^[34] The increased spending on these projects, though they did make some money, contributed to the company's downfall. In the meantime, the studio imported and released its final foreign film, an Australian film, Mad Max, dubbed into American English.

James Nicholson's first wife Sylvia was still a major shareholder of the company. She sued AIP for mismanagement but this was resolved in 1978 when AIP bought out her shares.^[35]

Merger with Filmways

By the late 1970s costs of making movies continued to rise, AIP's tactic of moving into bigger budgeted quality pictures was not paying off at the box office, and Arkoff began to think of merging the company. "We've been the Woolworths of the movie business but Woolworths is being out priced," said Arkoff.^[36] Talks began with Filmways Incorporated. Negotiations stalled for a while^[37] but resumed a number of months later.^[38] In 1979 AIP was sold to Filmways, Inc. for $30 million and became a subsidiary production unit thereof renamed Filmways Pictures in 1980.^[39][40]

Arkoff was unhappy with the direction of the company and resigned to set up his own production company, receiving a pay out worth $1.4 million.^[41][42]

AIP-TV was absorbed as the wholly owned program syndication arm of Filmways Television. Filmways was later bought by Orion Pictures Company in 1982 and Filmways was later renamed to Orion Pictures Corporation, but retained the distribution arm. This allowed Orion to establish its own distribution after utilizing Warner Bros. for distribution which still has distribution rights to Orion films Warner distributed. Today, a majority of the AIP library is owned by Metro-Goldwyn-Mayer's subsidiary Orion Pictures Corporation. The American International name is still a registered trademark owned by MGM's Orion Pictures unit.^[43][44]

List of American International Pictures films

1950s

Release Date	Title	Genre	Director
as American Releasing Corporation
1955	Operation Malaya	Documentary	David MacDonald
February 15, 1955	The Fast and the Furious	Crime	John Ireland
April 15, 1955	Five Guns West	Western	Roger Corman
May 15, 1955	Outlaw Treasure	Western	Oliver Drake
June 15, 1955	The Beast with a Million Eyes	Sci-fi	David Kramarsky Lou Place Uncredited: Roger Corman
September 15, 1955	Apache Woman	Western	Roger Corman
December 1955	Day the World Ended	Sci-fi	Roger Corman
December 1955	The Phantom from 10,000 Leagues	Sci-fi	Dan Milner
June 15, 1956	The Oklahoma Woman	Western	Roger Corman
June 15, 1956	Female Jungle	Crime	Bruno VeSota
June 1956	Gunslinger	Western	Roger Corman
as American International Pictures
July 15, 1956	It Conquered the World	Sci-fi	Roger Corman
July 1956	Girls in Prison	Crime	Edward L. Cahn
July 1956	Hot Rod Girl	Action	Lew Landers
August 1956	The She Creature	Horror	Edward L. Cahn
September 25, 1956	Flesh and the Spur	Western	Edward L. Cahn
November 1956	Runaway Daughters	Crime	Edward L. Cahn
November 1956	Shake, Rattle & Rock!	Musical	Edward L. Cahn
1957	The Astounding She-Monster	Sci-fi horror	Ronald V. Ashcroft
January 1957	Naked Paradise	Crime	Roger Corman
February 10, 1957	Not of This Earth	Sci-fi	Roger Corman
February 10, 1957	Attack of the Crab Monsters	Sci-fi	Roger Corman
March 1, 1957	Voodoo Woman	Horror	Edward L. Cahn
April 24, 1957	Dragstrip Girl	Action	Edward L. Cahn
April 1957	Rock All Night	Crime	Roger Corman
March 1957	The Undead	Horror	Roger Corman
June 19, 1957	I Was a Teenage Werewolf	Horror	Gene Fowler Jr.
June 1957	Invasion of the Saucer Men	Sci-fi	Edward L. Cahn
August 1957	Naked Africa	Documentary	Ray Phoenix
August 1957	Reform School Girl	Crime	Edward Bernds
August 1957	Rock Around the World	Musical	Gerard Bryant
August 1957	The White Huntress	Adventure	George P. Breakston
September 1957	Cat Girl	Horror	Alfred Shaughnessy
October 22, 1957	Motorcycle Gang	Outlaw biker	Edward L. Cahn
October 25, 1957	The Amazing Colossal Man	Sci-fi	Bert I. Gordon
October 1957	Sorority Girl	Drama	Roger Corman
November 23, 1957	I Was a Teenage Frankenstein	Horror	Herbert L. Strock
November 1957	Blood of Dracula	Horror	Herbert L. Strock
December 1957	The Saga of the Viking Women and Their Voyage to the Waters of the Great Sea Serpent	Adventure	Roger Corman
January 1958	The Screaming Skull	Horror	Alex Nicol
January 1958	Terror from the Year 5000	Sci-fi	Robert J. Gurney Jr.
February 1958	Jet Attack	War	Edward L. Cahn
February 1958	Suicide Battalion	War	Edward L. Cahn
March 1958	The Cool and the Crazy	Drama	William Witney
March 1958	Daddy-O	Crime	Lou Place
March 1958	Dragstrip Riot	Drama	David Bradley
April 1958	Attack of the Puppet People	Sci-fi	Bert I. Gordon
May 28, 1958	The Bonnie Parker Story	Crime	William Witney
May 1958	Machine-Gun Kelly	Action	Roger Corman
June 1958	High School Hellcats	Crime	Edward Bernds
June 1958	Hot Rod Gang	Drama	Lew Landers
July 1, 1958	How to Make a Monster	Horror	Herbert L. Strock
July 30, 1958	War of the Colossal Beast	Sci-fi	Bert I. Gordon
July 1958	Hell Squad	War	Burt Topper
July 1958	Tank Battalion	War	Sherman A. Rose
July 1958	Teenage Cave Man	Sci-fi	Roger Corman
August 1958	Night of the Blood Beast	Sci-fi horror	Bernard L. Kowalski
August 1958	She Gods of Shark Reef	Adventure	Roger Corman
September 1958	The Brain Eaters	Sci-fi horror	Bruno VeSota
September 1958	Earth vs. the Spider	Sci-fi	Bert I. Gordon
December 1958	Submarine Seahawk	War	Spencer Gordon Bennet
February 1959	Paratroop Command	War	William Witney
March 1959	Operation Dames	War	Louis Clyde Stoumen
March 1959	Roadracers	Action	Arthur Swerdloff
March 1959	Tank Commandos	War	Burt Topper
April 29, 1959	The Headless Ghost	Horror	Peter Graham Scott
April 29, 1959	Horrors of the Black Museum	Horror	Arthur Crabtree
July 1959	Diary of a High School Bride	Romance	Burt Topper
July 1959	Ghost of Dragstrip Hollow	Horror	William J. Hole Jr.
September 23, 1959	Sheba and the Gladiator	Sword-and-sandal	Guido Brignone
October 21, 1959	A Bucket of Blood	Horror	Roger Corman
October 1959	Attack of the Giant Leeches	Sci-fi horror	Bernard L. Kowalski
November 23, 1959	The Angry Red Planet	Sci-fi	Sidney W. Pink
November 1959	Goliath and the Barbarians	Sword-and-sandal	Carlo Campogalliani

1960s

Release Date	Title	Genre	Director
June 22, 1960	House of Usher	Horror	Roger Corman
June 1960	The Jailbreakers	Crime	Alexander Grasshoff
June 1960	Why Must I Die?	Crime	Roy Del Ruth
July 1960	The Amazing Transparent Man	Sci-fi	Edgar G. Ulmer
July 1960	Beyond the Time Barrier	Sci-fi	Edgar G. Ulmer
August 31, 1960	Circus of Horrors	Horror	Sidney Hayers
October 1960	The Indian Tomb	Adventure	Fritz Lang
October 1960	The Tiger of Eschnapur	Adventure	Fritz Lang
November 1960	Goliath and the Dragon	Sword-and-sandal	Vittorio Cottafavi
February 15, 1961	Black Sunday	Horror	Mario Bava
March 22, 1961	The Hand	Crime	Henry Cass
March 22, 1961	Konga	Horror	John Lemont
April 1961	Beware of Children	Comedy	Gerald Thomas
May 1961	Master of the World	Sci-fi	William Witney
July 14, 1961	Alakazam the Great	Anime	Taiji Yabushita Daisaku Shirakawa
August 12, 1961	The Pit and the Pendulum	Horror	Roger Corman
December 6, 1961	Portrait of a Sinner	Drama	Robert Siodmak
December 12, 1961	The Continental Twist	Musical	William J. Hole
December 13, 1961	Assignment Outer Space	Sci-fi	Antonio Margheriti
December 13, 1961	The Phantom Planet	Sci-fi	William Marshall
December 28, 1961	Flight of the Lost Balloon	Sci-fi adventure	Nathan Juran
December 1961	Guns of the Black Witch	Adventure	Domenico Paolella
1962	Battle Beyond the Sun	Sci-fi	Mikhail Karyukov Aleksandr Kozyr
1962	A House of Sand	Drama	Robert Darwin
1962	Duel of Fire	Adventure	Umberto Lenzi
March 7, 1962	The Premature Burial	Horror	Roger Corman
March 10, 1962	Journey to the Seventh Planet	Sci-Fi	Sidney W. Pink
April 25, 1962	Burn, Witch, Burn	Horror	Sidney Hayers
May 20, 1962	Invasion of the Star Creatures	Sci-fi comedy	Bruno VeSota
June 1962	The Prisoner of the Iron Mask	Adventure	Francesco De Feo
July 4, 1962	Tales of Terror	Horror	Roger Corman
July 5, 1962	Panic in Year Zero!	Nuclear war thriller	Ray Milland
August 10, 1962	The Brain That Wouldn't Die	Sci-fi	Joseph Green
August 1962	Marco Polo	Adventure	Piero Pierotti
September 1962	White Slave Ship	Adventure	Silvio Amadio
November 18, 1962	A Story of David	Biblical	Bob McNaught
December 1962	Samson and the Seven Miracles of the World	Sword-and-sandal	Riccardo Freda
December 1962	Warriors Five!	War	Leopoldo Savona
January 20, 1963	Reptilicus	Sci-fi horror	Sidney W. Pink
January 25, 1963	The Raven	Horror	Roger Corman
March 3, 1963	California	Western	Hamil Petroff
March 26, 1963	Operation Bikini	War	Anthony Carras
April 24, 1963	Free, White and 21	Drama	Larry Buchanan
May 1, 1963	The Mind Benders	Spy	Basil Dearden
June 6, 1963	Night Tide	Horror	Curtis Harrington
June 12, 1963	Erik the Conqueror	Adventure	Mario Bava
June 17, 1963	The Terror	Horror	Roger Corman
August 7, 1963	Beach Party	Beach party	William Asher
August 28, 1963	The Haunted Palace	Horror	Roger Corman
September 18, 1963	X: The Man with the X-Ray Eyes	Horror	Roger Corman
September 25, 1963	Dementia 13	Horror	Francis Coppola
December 18, 1963	Samson and the Slave Queen	Sword-and-sandal	Umberto Lenzi
December 25, 1963	Goliath and the Sins of Babylon	Sword-and-sandal	Michele Lupo
1964	Hercules and the Tyrants of Babylon	Sword-and-sandal	Domenico Paolella
1964	Swingers' Paradise	Musical	Sidney J. Furie
January 22, 1964	The Comedy of Terrors	Comedy horror	Jacques Tourneur
January 22, 1964	Pyro... The Thing Without a Face	Horror	Julio Coll
March 8, 1964	The Last Man on Earth	Horror	Ubaldo Ragona Sidney Salkow
March 12, 1964	Summer Holiday	Beach party	Peter Yates
March 25, 1964	Muscle Beach Party	Beach party	William Asher
March 1964	Under Age	Drama	Larry Buchanan
April 1, 1964	Commando	War	Frank Wisbar
April 1, 1964	Torpedo Bay	War	Charles Frend Bruno Vailati
April 1964	Unearthly Stranger	Sci-fi	John Krish
May 6, 1964	Black Sabbath	Giallo	Mario Bava
May 20, 1964	The Evil Eye	Giallo	Mario Bava
June 24, 1964	The Masque of the Red Death	Horror	Roger Corman
June 1964	Some People	Musical	Clive Donner
July 22, 1964	Bikini Beach	Beach party	William Asher
September 17, 1964	Godzilla vs. the Thing	J-Horror	Ishirō Honda
September 1964	Diary of a Bachelor	Comedy	Sandy Howard
October 29, 1964	The Time Travelers	Sci-fi	Ib Melchior
November 11, 1964	Pajama Party	Beach party	Don Weis
November 25, 1964	Navajo Run	Western	Johnny Seven
November 25, 1964	Voyage to the End of the Universe	Sci-fi	Jindřich Polák
December 29, 1964	T.A.M.I. Show	Concert documentary	Steve Binder
1965	The Eye Creatures	Sci-Fi	Larry Buchanan
January 20, 1965	The Tomb of Ligeia	Horror	Roger Corman
January 27, 1965	Operation Snafu	War comedy	Cyril Frankel
March 3, 1965	The Lost World of Sinbad	Adventure	Senkichi Taniguchi
March 11, 1965	Atragon	J-Horror	Ishirō Honda
March 1965	Rome Against Rome	Sword-and-sandal	Giuseppe Vari
April 14, 1965	Beach Blanket Bingo	Beach party	William Asher
April 20, 1965	The Pawnbroker	Drama	Sidney Lumet
April 28, 1965	The Fool Killer	Adventure drama	Servando González
April 1965	Taboos of the World	Shockumentary	Romolo Marcellini
May 19, 1965	Go Go Mania	Musical	Frederic Goode
May 26, 1965	War-Gods of the Deep	Horror	Jacques Tourneur
June 30, 1965	Ski Party	Beach party	Alan Rafkin
July 8, 1966	Frankenstein Conquers the World	J-Horror	Ishirō Honda
July 14, 1965	How to Stuff a Wild Bikini	Beach party	William Asher
August 1, 1965	Voyage to the Prehistoric Planet	Sci-fi	Curtis Harrington
August 18, 1965	Sergeant Deadhead	Comedy	Norman Taurog
October 27, 1965	Die, Monster, Die!	Horror	Daniel Haller
October 27, 1965	Planet of the Vampires	Sci-fi	Mario Bava
November 6, 1965	Dr. Goldfoot and the Bikini Machine	Comedy	Norman Taurog
November 30, 1965	King & Country	Drama	Joseph Losey
1966	Zontar, the Thing from Venus	Sci-fi	Larry Buchanan
1966	Curse of the Swamp Creature	Sci-fi	Larry Buchanan
January 12, 1966	Secret Agent Fireball	Eurospy	Luciano Martino
January 1966	Conquered City	War	Joseph Anthony
January 1966	Spy in Your Eye	Eurospy	Vittorio Sala
March 1966	Queen of Blood	Sci-fi	Curtis Harrington
March 2, 1966	Blood Bath	Horror	Jack Hill
April 12, 1966	The Girl-Getters	Drama	Michael Winner
April 13, 1966	The Dirty Game	Eurospy anthology	Christian-Jaque Werner Klingler Carlo Lizzani Terence Young
April 1966	Man from Cocody	Action	Christian-Jaque
April 1966	What's Up, Tiger Lily?	Spy comedy film	Woody Allen Senkichi Taniguchi
April 1966	The Ghost in the Invisible Bikini	Beach party	Don Weis
May 1966	The Great Spy Chase	Eurospy	Georges Lautner
June 7, 1966	Fireball 500	Car racing film	William Asher
July 1966	Tarzan and the Valley of Gold	Adventure	Robert Day
July 20, 1966	The Wild Angels	Outlaw biker	Roger Corman
November 9, 1966	Dr. Goldfoot and the Girl Bombs	Eurospy comedy	Mario Bava
November 1966	Door to Door Maniac	Crime	Bill Karn
December 28, 1966	Trunk to Cairo	Spy	Menahem Golan
1967	Mars Needs Women	Sci-fi	Larry Buchanan
1967	In the Year 2889	Sci-fi	Larry Buchanan
1967	Creature of Destruction	Sci-fi	Larry Buchanan
January 18, 1967	War Italian Style	War comedy	Luigi Scattini
March 18, 1967	Riot on Sunset Strip	Drama	Arthur Dreifuss
March 22, 1967	Thunder Alley	Car racing film	Richard Rush
April 1967	Devil's Angels	Outlaw biker film	Daniel Haller
May 17, 1967	The Million Eyes of Sumuru	Action	Lindsay Shonteff
August 23, 1967	The Trip	Drama	Roger Corman
November 22, 1967	The Glory Stompers	Outlaw biker	Anthony M. Lanza
1968	Voyage to the Planet of Prehistoric Women	Sci-fi	Peter Bogdanovich
January 18, 1968	The Born Losers	Outlaw biker	T. C. Frank
January 24, 1968	Maryjane	Drama	Maury Dexter
January 24, 1968	The Wild Racers	Racing car film	Daniel Haller
May 1968	The Mini-Skirt Mob	Outlaw biker	Maury Dexter
May 1968	The Savage Seven	Outlaw biker	Richard Rush
May 15, 1968	Witchfinder General	Horror	Michael Reeves
May 29, 1968	Wild in the Streets	Comedy-drama	Barry Shear
September 22, 1968	Psych-Out	Drama	Richard Rush
November 1968	Killers Three	Crime	Bruce Kessler
December 20, 1968	Three in the Attic	Comedy-drama	Richard Wilson
1969	'It's Alive!'	Horror	Larry Buchanan
March 18, 1969	The Wonderful World of Puss 'n Boots	Anime	Kimio Yabuki
April 16, 1969	Hell's Belles	Outlaw biker	Maury Dexter
May 1969	God Forgives... I Don't!	Spaghetti Western	Giuseppe Colizzi
May 23, 1969	Destroy All Monsters	J-Horror	Ishirō Honda
June 11, 1969	The Oblong Box	Horror	Gordon Hessler
July 23, 1969	Spirits of the Dead	Anthology horror	Roger Vadim Louis Malle Federico Fellini
August 19, 1969	Angel, Angel, Down We Go	Crime	Robert Thom
August 27, 1969	De Sade	Drama	Cy Endfield Uncredited: Roger Corman Gordon Hessler
September 8, 1969	The Honeymoon Killers	Crime	Leonard Kastle
September 10, 1969	Hell's Angels '69	Outlaw biker	Lee Madden Conny Van Dyke

1970s

Release Date	Title	Genre	Director
1970	Strawberries Need Rain	Fantasy	Larry Buchanan
1970	Pacific Vibrations	Documentary	John Severson
January 1970	The Savage Wild	Documentary	Gordon Eastman
January 1970	Scream and Scream Again	Sci-fi thriller	Gordon Hessler
January 14, 1970	The Dunwich Horror	Horror	Daniel Haller
March 24, 1970	Bloody Mama	Drama	Roger Corman
April 15, 1970	The Haunted House of Horror	Slasher	Michael Armstrong
May 8, 1970	Lola	Romantic comedy-drama	Richard Donner
June 1970	A Bullet for Pretty Boy	Action	Larry Buchanan
June 10, 1970	Count Yorga, Vampire	Horror	Bob Kelljan
July 29, 1970	Cry of the Banshee	Horror	Gordon Hessler
September 2, 1970	Angel Unchained	Outlaw biker	Lee Madden
September 9, 1970	Venus in Furs	Erotic thriller	Jesús Franco
October 22, 1970	The Vampire Lovers	Horror	Roy Ward Baker
February 17, 1971	Gas-s-s-s	Sci-fi comedy-drama	Roger Corman
February 18, 1971	Wuthering Heights	Romance	Robert Fuest
March 17, 1971	Blood and Lace	Horror	Philip S. Gilbert
April 22, 1971	The Hard Ride	Outlaw biker	Burt Topper
April 28, 1971	The Incredible 2-Headed Transplant	Sci-fi horror	Anthony Lanza
May 18, 1971	The Abominable Dr. Phibes	Comedy horror	Robert Fuest
August 20, 1971	Swedish Fly Girls	Drama	Jack O'Connell
September 29, 1971	Chrome and Hot Leather	Outlaw biker	Lee Frost
October 6, 1971	Murders in the Rue Morgue	Horror	Gordon Hessler
October 13, 1971	A Lizard in a Woman's Skin	Giallo	Lucio Fulci
October 18, 1971	Bunny O'Hare	Comedy	Gerd Oswald
October 27, 1971	Some of My Best Friends Are...	Drama	Mervyn Nelson
October 1971	1000 Convicts and a Woman	Drama	Ray Austin
December 22, 1971	Kidnapped	Adventure	Delbert Mann
January 19, 1972	Together	Mockumentary	Sean S. Cunningham
February 2, 1972	The Return of Count Yorga	Horror	Bob Kelljan
February 1972	Godzilla vs. the Smog Monster	J-Horror	Yoshimitsu Banno
March 10, 1972	Frogs	Horror	George McCowan
March 15, 1972	Whoever Slew Auntie Roo?	Horror	Curtis Harrington
April 1972	Dr. Jekyll and Sister Hyde	Sci-fi horror	Roy Ward Baker
May 17, 1972	Blood from the Mummy's Tomb	Horror	Seth Holt
May 1972	Pickup on 101	Drama	John Florea
	Wild in the Sky	Action comedy	William T. Naud
	The Bloody Judge	Horror	Jesús Franco
June 14, 1972	Boxcar Bertha	Crime	Martin Scorsese
July 19, 1972	The Thing with Two Heads	Sci-fi	Lee Frost
July 21, 1972	F.T.A.	Documentary	Francine Parker
July 1972	Dr. Phibes Rises Again	Horror	Robert Fuest
August 16, 1972	Slaughter	Blaxploitation	Jack Starrett
August 25, 1972	Blacula	Blaxploitation	William Crain
August 1972	Deathmaster	Horror	Ray Danton
	The Sandpit Generals	Drama	Hall Bartlett
September 1972	Tam-Lin	Horror	Roddy McDowall
October 10, 1972	Baron Blood	Horror	Mario Bava
November 1972	The Dirt Gang	Action drama	Jerry Jameson
November 10, 1972	Unholy Rollers	Action comedy	Vernon Zimmerman
November 22, 1972	Prison Girls	Crime	Thomas De Simone
January 19, 1973	Black Mama White Mama	Women in prison	Eddie Romero
January 1973	Manson	Documentary	Robert Hendrickson and Laurence Merrick
February 7, 1973	Black Caesar	Blaxploitation	Larry Cohen
March 27, 1973	Sisters	Horror	Brian De Palma
April 1973	Cannibal Girls	Comedy horror	Ivan Reitman
May 4, 1973	Deep Thrust	Action	Huang Feng
June 13, 1973	Coffy	Blaxploitation	Jack Hill
June 27, 1973	Scream, Blacula, Scream	Blaxploitation	Bob Kelljan
June 1973	Little Cigars	Crime comedy	Chris Christenberry
July 20, 1973	Dillinger	Crime	John Milius
August 8, 1973	Heavy Traffic	Animated comedy-drama	Ralph Bakshi
August 31, 1973	Slaughter's Big Rip-Off	Blaxploitation	Gordon Douglas
September 1973	Death Line	Horror	Gary Sherman
October 31, 1973	The Italian Connection	Action	Fernando di Leo
October 1973	The Screaming Tiger	Action	Lung Chien
November 21, 1973	Battle of the Amazons	Sword-and-sandal	Alfonso Brescia
December 1973	Hell Up in Harlem	Blaxploitation	Larry Cohen
January 30, 1974	The Bat People	Horror	Jerry Jameson
February 13, 1974	Bamboo Gods and Iron Men	Blaxploitation comedy	Cesar Gallardo
February 1974	Secret Life of a Schoolgirl Wife	Comedy-drama	Leon Capetanos
March 6, 1974	Deranged	Horror	Alan Ormsby
March 20, 1974	Sugar Hill	Blaxploitation horror	Paul Maslansky
April 5, 1974	Foxy Brown	Blaxploitation	Jack Hill
May 15, 1974	Truck Stop Women	Action	Mark L. Lester
May 22, 1974	Madhouse	Horror	Jim Clark
June 5, 1974	Thriller: A Cruel Picture	Rape and revenge	Alex Fridolinski
	Dirty O'Neil	Crime thriller	Leon Capetanos Lewis Teague
June 26, 1974	The Nine Lives of Fritz the Cat	Animated comedy	Robert Taylor
	Truck Turner	Blaxploitation	Jonathan Kaplan
July 17, 1974	Golden Needles	Action	Robert Clouse
July 1974	Savage Sisters	Women in prison	Eddie Romero
August 8, 1974	Macon County Line	Action	Richard Compton
August 18, 1974	Act of Vengeance	Horror	Bob Kelljan
October 1974	Hangup	Action	Henry Hathaway
November 22, 1974	Sunday in the Country	Crime thriller	John Trent
December 25, 1974	Abby	Blaxploitation horror	William Girdler
1975	Vampira	Comedy horror	Clive Donner
February 1975	Super Stooges vs. the Wonder Women	Superhero comedy	Alfonso Brescia
March 26, 1975	Sheba, Baby	Blaxploitation	William Girdler
March 1975	House of Whipcord	Horror	Pete Walker
	War Goddess	Adventure	Terence Young
	The Wild Party	Comedy-drama	James Ivory
April 25, 1975	The Reincarnation of Peter Proud	Mystery horror	J. Lee Thompson
May 21, 1975	Cornbread, Earl and Me	Drama	Joseph Manduke
	The Wild McCullochs	Drama	Max Baer Jr.
May 1975	What Have You Done to Solange?	Giallo	Massimo Dallamano
June 11, 1975	Murph the Surf	Biographical crime comedy	Marvin J. Chomsky
June 25, 1975	Cooley High	Comedy-drama	Michael Schultz
July 2, 1975	Bucktown	Blaxploitation	Arthur Marks
July 31, 1975	Hennessy	Thriller	Don Sharp
August 13, 1975	The Land That Time Forgot	Adventure fantasy	Kevin Connor
September 3, 1975	Return to Macon County	Drama	Richard Compton
September 28, 1975	Walking Tall Part 2	Crime	Earl Bellamy
December 17, 1975	Sixpack Annie	Action comedy	Graydon F. David
December 25, 1975	Friday Foster	Blaxploitation	Arthur Marks
January 14, 1976	Killer Force	Thriller	Val Guest
March 1976	Bobbie Jo and the Outlaw	Crime drama	Mark L. Lester
	One Summer Love	Romantic drama	Gilbert Cates
April 21, 1976	Crime and Passion	Crime	Ivan Passer
May 1976	Annie	Drama	Massimo Dallamano
June 18, 1976	The Food of the Gods	Sci-fi thriller	Bert I. Gordon
June 23, 1976	The Great Scout & Cathouse Thursday	Comedy	Don Taylor
	I Don't Want to Be Born	Horror	Peter Sasdy
July 9, 1976	A Small Town in Texas	Crime	Jack Starrett
July 30, 1976	Squirm	Horror	Jeff Lieberman
July 1976	At the Earth's Core	Sci-fi fantasy	Kevin Connor
	Special Delivery	Crime comedy	Paul Wendkos
August 13, 1976	Futureworld	Sci-fi thriller	Richard T. Heffron
August 25, 1976	J.D.'s Revenge	Blaxploitation	Arthur Marks
September 17, 1976	Street People	Action	Maurizio Lucidi
October 7, 1976	A Matter of Time	Musical	Vincente Minnelli
October 8, 1976	Scorchy	Crime	Howard Avedis
November 24, 1976	Shout at the Devil	War	Peter R. Hunt
December 24, 1976	The Monkey Hustle	Blaxploitation	Arthur Marks
	The Town That Dreaded Sundown	Horror	Charles B. Pierce
December 1976	Escape from Angola	Adventure	Leslie H. Martinson
January 23, 1977	The Day That Shook the World	Historical drama	Veljko Bulajić
February 2, 1977	Chatterbox	Sex comedy	Tom DeSimone
February 11, 1977	Strange Shadows in an Empty Room	Crime	Alberto De Martino
March 4, 1977	Death Weekend	Horror	William Fruet
April 1, 1977	Breaker! Breaker!	Action	Don Hulette
June 15, 1977	Tentacles	Horror	Ovidio G. Assonitis
June 29, 1977	Empire of the Ants	Sci-fi horror	Bert I. Gordon
July 6, 1977	The People That Time Forgot	Adventure fantasy	Kevin Connor
July 13, 1977	The Island of Dr. Moreau	Sci-fi fantasy horror	Don Taylor
August 10, 1977	The Little Girl Who Lives Down the Lane	Mystery thriller	Nicolas Gessner
August 17, 1977	Joyride	Adventure crime comedy	Joseph Ruben
August 31, 1977	Walking Tall: Final Chapter	Crime	Jack Starrett
October 14, 1977	Rolling Thunder	Neo-noir	John Flynn
December 28, 1977	Grayeagle	Western adventure	Charles B. Pierce
December 1977	The Incredible Melting Man	Sci-fi horror	William Sachs
	The Private Files of J. Edgar Hoover	Biographical drama	Larry Cohen
February 1978	Record City	Comedy	Dennis Steinmetz
March 1978	Last Cannibal World	Horror	Ruggero Deodato
April 19, 1978	Holocaust 2000	Horror	Alberto De Martino
May 13, 1978	Jennifer	Horror	Brice Mack
May 24, 1978	Youngblood	Action	Noel Nosseck
May 26, 1978	Here Come the Tigers	Sports comedy	Sean S. Cunningham
	High-Ballin'	Action comedy	Peter Carter
May 1978	Our Winning Season	Drama	Joseph Ruben
June 6, 1978	Cracking Up	Comedy	Rowby Goren Chuck Staley
June 22, 1978	Matilda	Comedy	Daniel Mann
June 1978	Who Can Kill a Child?	Spanish horror	Narciso Ibáñez Serrador
July 14, 1978	Mean Dog Blues	Drama	Mel Stuart
October 5, 1978	The Norsemen	Adventure	Charles B. Pierce
December 8, 1978	Force 10 from Navarone	War	Guy Hamilton
April 18, 1979	The Evictors	Crime horror	Charles B. Pierce
April 27, 1979	Love at First Bite	Comedy horror	Stan Dragoti
June 1, 1979	Sunnyside	Action	Timothy Galfas
July 27, 1979	The Amityville Horror	Horror	Stuart Rosenberg
September 14, 1979	California Dreaming	Comedy-drama	John D. Hancock
September 1979	Seven	Action	Andy Sidaris
October 5, 1979	Something Short of Paradise	Romantic comedy	David Helpern
October 19, 1979	Meteor	Disaster	Ronald Neame
November 1979	Jaguar Lives!	Action	Ernest Pintoff
December 21, 1979	C.H.O.M.P.S.	Sci-fi comedy	Don Chaffey

1980s

Release Date	Title	Genre	Director	Notes
February 15, 1980	Mad Max	Action	George Miller	Australian sci-fi dystopian film dubbed in American English
March 14, 1980	Defiance	Action	John Flynn
March 14, 1980	The Visitor	Sci-fi horror	Michael J. Paradise
March 28, 1980	Nothing Personal	Romantic comedy	George Bloomfield
May 1, 1980	Gorp	Sex comedy	Joseph Ruben
July 11, 1980	How to Beat the High Cost of Living	Crime comedy	Robert Scheerer

Unproduced films

The following films were announced for production by AIP but never made:

• An adaptation of H. Rider Haggard's She (1958, dir. Roger Corman)^[45]
  


• 
  Even and the Dragon (1958, dir. Stanley Shpetner)^[46]
  


• 
  Take Me to Your Leader (1958) - a part-animated feature^[47]
  


• 
  Aladdin and the Giant (1959) - produced by Herman Cohen^[48]
  


• 
  In the Year 2889 (1959) - from the novel by Jules Verne^[49]
  


• 
  The Talking Dog (1959) - a comedy^[49]
  


• 
  When the Sleeper Wakes from the novel by H.G. Wells (1960–62)^[50] - Vincent Price was announced as a star in 1965^[51]
  


• A color remake of Fritz Lang's Metropolis (1961)^[52]
  


• 
  Genghis Khan (1960s, dir. Jacques Tourneur) - a Roadshow production with a $4.5 million budget^[53]
  


• 
  The Great Deluge - story of Noah's Ark^[54]
  


• 
  War of the Planets (1962) - a $2 million sci-fi epic starring Vincent Price and Boris Karloff based on a script by Harlan Ellison^[55]
  


• 
  Off on a Comet (1962) - a filming of Jules Verne's novel advertised in comic books^[56]
  


• 
  Stratofin (1962) based on Jules Verne's Master of the World^[57]
  


• 
  It's Alive (1963) with Peter Lorre, Harvey Lembeck and Elsa Lanchester^[58]
  


• 
  Something in the Walls (1963)^[59]
  


• 
  The Magnificent Leonardi (1963) - with Ray Milland^[59]
  


• 
  Sins of Babylon (1963)^[59]
  


• 
  Rumble (1963) with Avalon and Funicello from a book by Harlan Ellison about New York gangs^[58]
  


• 
  The Graveside Story (1964) - with Price, Karloff, Lorre and Elsa Lanchester^[60]
  


• 
  The Gold Bug (1964) with Price, Lorre and Lanchester^[60]
  


• 
  The Chase (circa 1965) - a silent comedy starring Buster Keaton^[61]
  


• 
  Malibu Madness (1965)^[51]
  


• 
  The Haunted Palace (1965)^[51]
  


• 
  Seven Footprints to Satan (1965)^[51]
  


• 
  The Jet Set or Jet Set Party (1964, dir. William Asher) - with Avalon and Funicello^[62]
  


• 
  Malibu Madness (1965)^[63]
  


• 
  Robin Hood Jones (1966, dir. William Asher) - musical about Robin Hood starring Price, Avalon, Funicello and Susan Hart^[64]
  


• 
  Cruise Party (1966) - with Avalon and Dwayne Hickman^[64][65]
  


• 
  The Girl in the Glass Bikini (1966, dir. William Asher) - A sci-fi comedy with Avalon, Funicello and Aron Kincaid^[66]
  


• 
  The Girl in the Glass Castle (1966) - a musical comedy with a $1 million budget^[67]
  


• 
  The Hatfields and the McCoys (1966) - A musical with Avalon and Funicello^[68]
  


• 
  It (1967) - based on Richard Matheson's story "Being"^[67]
  


• 
  The Golem (1967)^[67]
  

Financial earnings

• 1970 - $22.7 million^[69]
  


• 1971 - $21.4 million^[70]
  


• 1972 - $24 million


• 1973 - $24.5 million^[71] - profit $744,000^[72]
  


• 1974 - $32.5 million - profit of $931,400^[33]
  


• 1975 - $48.2 million^[73]
  


• 1978 - $51.2 million - profit $1.8 million^[74]
  

Notes

1. 
   ^ Johnson, John Cheap Tricks and Class Acts, 1996, McFarland, p.265
   


2. 
   ^ "Artist Interviews » Les Baxter". www.artistinterviews.eu. Retrieved 21 April 2018..mw-parser-output cite.citation{font-style:inherit}.mw-parser-output q{quotes:"""""""'""'"}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-limited a,.mw-parser-output .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}
   


3. 
   ^ Shocker Pioneers Tell How to Make Monsters: Want to Make a Monster? Experts Tell How It's Done
   Scheuer, Philip K. Los Angeles Times (1923-Current File) [Los Angeles, Calif] September 17, 1958: E1.
   


4. 
   ^ Samuel Z Arkoff Biography, Fancast, archived from the original on 2011-07-23.
   


5. 
   ^ ^abc Doherty, Thomas (1988), Teenagers and Teenpics, Unwin-Hyman.
   


6. 
   ^ Booker, M. Keith. Historical dictionary of American cinema. Lanham, Md.: Scarecrow Press. p. 22. ISBN 0-8108-7192-0.
   


7. 
   ^ Albert Kallis – bio, Learn about movie posters, archived from the original on 2008-03-21.
   


8. 
   ^ Bean, Robin and Austen, David U.S.A. Confidential p.215 Films and Filming November 1968 quoted in p.157 Doherty, Thomas Teenagers and Teenpics Unwin-Hyman 1988
   


9. 
   ^ ^ab Shocker Pioneers Tell How to Make Monsters: Want to Make a Monster? Experts Tell How It's Done Scheuer, Philip K. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 21 Sep 1958: E1.
   


10. 
    ^ Corman, Roger How I Made 100 Movies in Hollywood and Never Lost a Dime 1998 DaCapo Press
    


11. 
    ^ Corman, Roger & Jerome, Jim How I Made Over a Hundred Movies in Hollywood and Never Lost a Dime 1998 DaCapo Press
    


12. 
    ^ Who Needs High Salaried Stars? Horrors! Film Makers Find Audiences Prefer Action
    Alpert, Don. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 15 July 1962: A8.
    


13. 
    ^ AIP Reveals Its 1968 Film Program
    Los Angeles Times (1923-Current File) [Los Angeles, Calif] 13 Jan 1968: b7.
    


14. 
    ^ Bye, Bye, Beach Bunnies: Bye, Bye, Beach Bunnies
    By VINCENT CANBY. New York Times (1923–Current file) [New York, N.Y] 02 Mar 1969: D1
    


15. 
    ^ Italian International Film on IMDb
    


16. 
    ^ p.96 + p.214 Arkoff, Sam & Trubo, Richard Flying Through Hollywood by the Seat of My Pants 1990 Carol Publishing
    


17. 
    ^ "International Secret Police". tokyo street report. 2009-04-16. Archived from the original on 2010-07-04. Retrieved 2010-08-02.
    


18. 
    ^ "American-International Television (AIP-TV) - IMDbPro". imdb.com. Retrieved 21 April 2018.
    


19. 
    ^ Heffernan, Kevin Ghouls Gimmicks and Gold: Horror Films and the American Movie Business, 2004, Duke University Press, p.167
    


20. 
    ^ Nielsen Business Media, Inc (1959-06-08). Billboard – Google Books. Retrieved 2010-08-02.
    


21. 
    ^ "American International Records – CDs and Vinyl at Discogs". Discogs.com. Retrieved 2010-08-02.
    


22. 
    ^ "Together/AIR Album Discography". Bsnpubs.com. 2000-04-12. Retrieved 2010-08-02.
    


23. 
    ^ American International Pictures
    Wall Street Journal (1923 - Current file) [New York, N.Y] 03 June 1969: 29
    


24. 
    ^ American International Pictures
    Wall Street Journal (1923 - Current file) [New York, N.Y] 10 July 1969: 27
    


25. 
    ^ American International Pictures Enters Film Accord Wall Street Journal (1923 - Current file) [New York, N.Y] 10 Apr 1970: 22.
    


26. 
    ^ 30 FEATURES SET: AIP ANNOUNCES PLANS FOR BUSIEST FILM YEAR
    Warga, Wayne. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 28 Jan 1971: g11.
    


27. 
    ^ X-Rated Movies: On the Downswing?
    The Washington Post, Times Herald (1959-1973) [Washington, D.C] 31 Mar 1971: B4
    


28. 
    ^ Nicholson to Quit American International Pictures Post Wall Street Journal (1923–Current file) [New York, N.Y] 17 January 1972: 18.
    


29. 
    ^ Nicholson Plans Own Film Firm
    Los Angeles Times (1923–Current File) [Los Angeles, Calif.] 22 January 1972: b6
    


30. 
    ^ California Film Maker Buys Own Stock From Ex-Officer
    Wall Street Journal (1923–Current file) [New York, N.Y] 19 September 1972: 43.
    


31. 
    ^ J.H. Nicholson, Film Maker, Dies of Cancer. Los Angeles Times (1923-Current File) [Los Angeles, Calif.] 11 December 1972: 26
    


32. 
    ^ LARRY GORDON ROLLS HIS DICE
    Taylor, Clarke. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 08 Oct 1978: n35
    


33. 
    ^ ^ab The dime-store way to make movies-and money By Aljean Harmetz. New York Times (1923-Current file) [New York, N.Y] 04 Aug 1974: 202.
    


34. 
    ^ Policy Shift Set by American International Pictures Inc.
    Wall Street Journal (1923 - Current file) [New York, N.Y] 25 May 1972: 7.
    


35. 
    ^ American International Pictures Buys Shares From Sylvia Nicholson
    Wall Street Journal (1923 - Current file) [New York, N.Y] 19 Apr 1978: 36.
    


36. 
    ^ Filmways Inc. Signs Accord in Principle For Movie Maker
    Wall Street Journal (1923 - Current file) [New York, N.Y] 10 Oct 1978: 48
    


37. 
    ^ American International Pictures, Filmways Inc. Terminate Merger Plan
    By a WALL STREET JOURNAL Staff Reporter. Wall Street Journal (1923 - Current file) [New York, N.Y] 11 Dec 1978: 20.
    


38. 
    ^ May Revive Merger Talks With Filmways, AIP Says
    Jones, John A. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 12 Feb 1979: d12.
    


39. 
    ^ Filmways Says Assets Were Overstated For American International Pictures Inc. By a WALL STREET JOURNAL Staff Reporter. Wall Street Journal (1923 - Current file) [New York, N.Y] 03 Dec 1979: 8.
    


40. 
    ^ AIP BITES DUST AS FILMWAYS RENAMES STUDIO
    Los Angeles Times (1923-Current File) [Los Angeles, Calif] 13 Mar 1980: f3.
    


41. 
    ^ President of Filmways' American International Pictures Resigns Post Wall Street Journal (1923 - Current file) [New York, N.Y] 06 Dec 1979: 30.
    


42. 
    ^ Filmways Inc. Pays Ex-Aide $1.4 Million
    Wall Street Journal (1923 - Current file) [New York, N.Y] 08 July 1980: 8
    


43. 
    ^ http://tess2.uspto.gov/bin/gate.exe?f=doc&state=4010:i6p96l.3.5
    


44. 
    ^ How Accountants Helped Orion Pictures Launch Its Financial Comeback
    Welles, Chris. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 15 May 1983: f1.
    


45. 
    ^ Smith p 97
    


46. 
    ^ Smith p98
    


47. 
    ^ Smith p99
    


48. 
    ^ Smith p 114
    


49. 
    ^ ^ab Smith p 118
    


50. 
    ^ Smith p 159
    


51. 
    ^ ^abcd Smith p 249
    


52. 
    ^ Smith p 161
    


53. 
    ^ Smith p 188, 230
    


54. 
    ^ Smith p 188
    


55. 
    ^ Smith p 192
    


56. 
    ^ First Kiss January 1962 Charlton Comics
    


57. 
    ^ pp.219-220 Palmer, Randy Paul Blaisdell, Monster Maker: A Biography of the B Movie Makeup and Special Effects Artist McFarland, 1 Jan 1997
    


58. 
    ^ ^ab Grand Guignol Set at Vine St. Cabaret: Huston 'Sells' Kipling Yarn; Sinatra, AIP Think Young
    Scheuer, Philip K. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 12 July 1963: D11.
    


59. 
    ^ ^abc Smith p 208
    


60. 
    ^ ^ab AIP Millions for Poe, Beach Parties: 'Flowers' Oscar Hopeful; Burton Buys, May Direct
    Scheuer, Philip K. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 02 Jan 1964: C11.
    


61. 
    ^ Hollywood To Make A Big Silent Film." Times [London, England] 3 Mar. 1965: 15. The Times Digital Archive. Web. 15 June 2014.
    


62. 
    ^ Howard Hughes, Aide Part Company
    Dorothy Kilgallen:. The Washington Post, Times Herald (1959-1973) [Washington, D.C] 11 June 1964: E22.
    


63. 
    ^ Smith p 262
    


64. 
    ^ ^ab Smith p 289
    


65. 
    ^ American Film Executive On Study Visit South China Morning Post & the Hongkong Telegraph 15 Sep 1965: 7.
    


66. 
    ^ MOVIE CALL SHEET: Spiegel to Film 'Swimmer'
    Los Angeles Times (1923-Current File) [Los Angeles, Calif] 19 Mar 1965: D13.
    


67. 
    ^ ^abc American International Expanding Operations
    Los Angeles Times (1923-Current File) [Los Angeles, Calif] 04 May 1966: e13.
    


68. 
    ^ Smith p 315
    


69. 
    ^ American International Pictures' Profit Steady: Company Says Results for Third Fiscal Quarter Were About the Same as for Year-Ago Period Wall Street Journal (1923 - Current file) [New York, N.Y] 12 Oct 1971: 37.
    


70. 
    ^ American International Pictures Wall Street Journal (1923 - Current file) [New York, N.Y] 09 May 1973: 19.
    


71. 
    ^ Horror or Horrid Films, AIP Quickies Score at Box Office: FILMS
    Getze, John. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 20 Feb 1974: d10.
    Turn on hit highlighting for speaking browsers
    


72. 
    ^ Stockholder Meeting Briefs
    Wall Street Journal (1923 - Current file) [New York, N.Y] 26 June 1973: 35
    


73. 
    ^ American International Will Be 'Happy' if Net Matches Fiscal 1975's Wall Street Journal (1923 - Current file) [New York, N.Y] 27 Oct 1975: 18.
    


74. 
    ^ AMERICAN INTERNATIONAL EPIC: CHINESE BOOK U.S. FILM 'FUTUREWORLD'
    Bry, Barbara. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 05 Jan 1979: d16.
    

References

• Mark Thomas McGee, Faster and Furiouser: The Story of American International Pictures (McFarland & Company, 1995)
  ISBN 0-7864-0137-0.


• Gary A. Smith, American International Pictures: The Golden Years, Bear Manor Media 2013

External links

• 
  American International Pictures archive curated by AIP historian Kliph Nesteroff
  


• 
  American International Pictures on IMDb
  


• 
  American International Television on IMDb
  

Authority control	BNF: cb138784860 (data) GND: 4222090-7 ISNI: 0000 0001 2110 2389 SUDOC: 033149127 VIAF: 134898010 WorldCat Identities (via VIAF): 134898010

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