Mixing
Academy Award for Best Picture
| Academy Award for Best Picture | |
|---|---|
| Awarded for | Best Picture of the Year |
| Country | United States |
| Presented by | Academy of Motion Picture Arts and Sciences (AMPAS) |
| First awarded | May 16, 1929 (1929-05-16) (for films released during the 1927/1928 film season) |
| Currently held by | The Shape of Water (2017) |
| Website | oscars.org |
The Academy Award for Best Picture is one of the Academy Awards presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) since the awards debuted in 1929. This award goes to the producers of the film and is the only category in which every member of the Academy is eligible to submit a nomination.[1] Best Picture is the final award of the night and is considered the most prestigious honor of the ceremony.[2][3][4]
The Grand Staircase columns at the Dolby Theatre in Hollywood, where the Academy Awards ceremonies have been held since 2002, showcase every film that has won the Best Picture title since the award's inception.[5] As of 2018, there have been 546 films nominated for Best Picture and 90 winners.[6]
Contents
1 History
1.1 Category name changes
1.2 Recipients
1.3 Best Picture and Best Director
1.4 Nomination limit increased
1.5 Controversies
1.6 Sequel nominations and winners
1.7 Silent film winners
1.8 Version availability
2 Winners and nominees
2.1 1920s
2.2 1930s
2.3 1940s
2.4 1950s
2.5 1960s
2.6 1970s
2.7 1980s
2.8 1990s
2.9 2000s
2.10 2010s
3 Individuals with multiple wins
4 Individuals with multiple nominations
5 Production companies with multiple nominations and wins
6 Notes
7 See also
8 References
9 External links
History
Category name changes
At the 1st Academy Awards ceremony (for 1927 and 1928), there were two categories of awards that were each considered the top award of the night: Outstanding Picture and Unique and Artistic Picture, the former being won by the war epic Wings, and the latter by the art film Sunrise. Each award was intended to honor different and equally important aspects of superior filmmaking.
The following year, the Academy dropped the Unique and Artistic Picture award, and decided retroactively that the award won by Wings was the highest honor that could be awarded.[7] Although the award kept the title Outstanding Picture for the next ceremony, the name underwent several changes over the years as seen below. Since 1962, the award has been simply called Best Picture.[6]
1927/28–1928/29: Academy Award for Outstanding Picture
1929/30–1940: Academy Award for Outstanding Production
1941–1943: Academy Award for Outstanding Motion Picture
1944–1961: Academy Award for Best Motion Picture
1962–present: Academy Award for Best Picture
Recipients
Until 1950, this award was presented to a representative of the production company. That year the protocol was changed so that the award was presented to all credited producers. This rule was modified in 1998 to apply a limit of three producers receiving the award, after the five producers of Shakespeare in Love had received the award.[8][9][10]
As of 2014[update], the "Special Rules for the Best Picture of the Year Award" limit recipients to those who meet two main requirements:[11]
- Those with screen credit of "producer" or "produced by"
- those three or fewer producers who have performed the major portion of the producing functions
The rules allow "bona fide team[s] of not more than two people to be considered to be a single 'producer' if the two individuals have had an established producing partnership for at least the previous five years and as a producing team have produced a minimum of five theatrically released feature motion pictures during that time.[11]
The Academy can make exceptions to the limit, as when Anthony Minghella and Sydney Pollack were posthumously included among the four producers nominated for The Reader.[12] As of 2014[update] the Producers Branch Executive Committee determines such exceptions, noting they take place only in "rare and extraordinary circumstance[s]."[11]
Steven Spielberg currently holds the record for most nominations at ten, winning one, while Kathleen Kennedy holds the record for most nominations without a win at eight. Sam Spiegel and Saul Zaentz tie for the most wins with three each. As for the time when the Oscar was given to production companies instead, Metro-Goldwyn-Mayer holds the record with five wins and 40 nominations.
Best Picture and Best Director
The Academy Awards for Best Picture and Best Director have been closely linked throughout their history. Of the 90 films that have won Best Picture, 63 have also been awarded Best Director. Only four films have been awarded Best Picture without receiving a Best Director nomination: Wings (1927/28), Grand Hotel (1931/32), Driving Miss Daisy (1989), and Argo (2012). The only two Best Director winners to win for films that did not receive a Best Picture nomination were during the early years of the awards: Lewis Milestone for Two Arabian Knights (1927/28), and Frank Lloyd for The Divine Lady (1928/29).[13]
Nomination limit increased
On June 24, 2009, AMPAS announced that the number of films to be nominated in the Best Picture award category would increase from five to ten, starting with the 82nd Academy Awards (2009).[14] The expansion was a throwback to the Academy's early years in the 1930s and 1940s, when eight to 12 films were nominated each year. "Having 10 Best Picture nominees is going to allow Academy voters to recognize and include some of the fantastic movies that often show up in the other Oscar categories but have been squeezed out of the race for the top prize," AMPAS President Sid Ganis said in a press conference. "I can't wait to see what that list of 10 looks like when the nominees are announced in February."[14]
At the same time, the voting system was switched from first-past-the-post to instant runoff voting (also known as preferential voting).[15] Two years after this change, the Academy revised the rule again so that the number of films nominated was between five and ten; nominated films must earn either 5% of first-place rankings or 5% after an abbreviated variation of the single transferable vote nominating process.[16] Bruce Davis, the Academy executive director at the time, said, "A Best Picture nomination should be an indication of extraordinary merit. If there are only eight pictures that truly earn that honor in a given year, we shouldn't feel an obligation to round out the number."[17]
Controversies
One point of contention with the award is the lack of consideration of non-English language films for Best Picture. Only ten foreign language films have been nominated in the category: Grand Illusion (French, 1938); Z (French, 1969); The Emigrants (Swedish, 1972); Cries and Whispers (Swedish, 1973); The Postman (Il Postino) (Italian/Spanish, 1995); Life Is Beautiful (Italian, 1998); Crouching Tiger, Hidden Dragon (Mandarin Chinese, 2000); Letters from Iwo Jima (Japanese, 2006, but ineligible for Best Foreign Language Film, as it was an American production); Amour (French, 2012); and Roma (Spanish/Mixtec, 2018).[18]
Only nine films wholly financed outside the United States have won Best Picture, eight of which were financed, in part or in whole, by the United Kingdom. Those films being: Hamlet (1948), Tom Jones (1963), A Man for All Seasons (1966), Chariots of Fire (1981), Gandhi (1982), The Last Emperor (1987), Slumdog Millionaire (2008), and The King's Speech (2010). The ninth film, The Artist, (2011) was financed by France.[19]
Other points of contention include genres (or styles in case of animation) of film that have received few or no nominations or awards. Only three animated films have been nominated - Beauty and the Beast (1991), Up (2009) and Toy Story 3 (2010), the latter two having been nominated after the Academy expanded the number of nominees—but none have won. No science fiction film or superhero film has won, and only one of the latter has been nominated, Black Panther (2018); only two fantasy films have won — The Lord of the Rings: The Return of the King (2003) and The Shape of Water (2017). The Silence of the Lambs (1991) is the only horror film to win Best Picture, and only five other have been nominated for Best Picture: The Exorcist (1973), Jaws (1975), The Sixth Sense (1999), Black Swan (2010), and Get Out (2017). No documentary has yet been nominated for Best Picture, although Chang was nominated in the "Unique and Artistic Production" category at the 1927/28 awards.
In 2017, at the 89th Academy Awards, presenters Faye Dunaway and Warren Beatty read La La Land as the winner of the award. However, they had mistakenly been given the envelope for the "Best Actress in a Leading Role" award, which Emma Stone had won for her role in La La Land moments prior. When the mistake was realized, the show's producers rushed onstage to correct it; in the resulting chaos, it was La La Land producer Jordan Horowitz who finally announced that Moonlight was the real winner.[20]
Sequel nominations and winners
Few sequels have been nominated for Best Picture and just two have won: The Godfather Part II and The Lord of the Rings: The Return of the King. Other nominees include The Bells of St. Mary's, The Godfather Part III, The Lord of the Rings: The Two Towers, Toy Story 3, and Mad Max: Fury Road.[18]
Another nominee, Broadway Melody of 1936, was a follow-up of sorts to previous winner The Broadway Melody. But, beyond the title and some music, there is no story connection to the earlier film. The Silence of the Lambs was adapted from the sequel novel to Red Dragon. The latter had been adapted for film as Manhunter by a different studio. Best Picture nominee The Lion in Winter features Peter O'Toole as King Henry II, a role he had played previously in the film Becket. But Winter is not a sequel to Becket. Clint Eastwood's Letters from Iwo Jima was a companion piece to his film Flags of Our Fathers, released earlier the same year. These two films depict the same battle from the different viewpoints of Japanese and United States military forces; the two films were shot back-to-back.
Several musical adaptations based on material previously filmed in non-musical form have won Best Picture, including Gigi, West Side Story, My Fair Lady, The Sound of Music, Oliver!, and Chicago.
Silent film winners
The Artist (with the exception of a single scene of dialogue, and dream sequence with sound effects) was the first silent film since Wings to win Best Picture. It was the first silent nominee since 1928's The Patriot. It was the first Best Picture winner to be shot entirely in black-and-white since 1960's The Apartment. (Schindler's List, the 1993 winner, was predominantly black-and-white but it did contain some color sequences).[19]
Version availability
No Best Picture winner has been lost, though a few such as All Quiet on the Western Front and Lawrence of Arabia exist only in a form altered from their original, award-winning release form. This has usually been due to editing for reissue (and subsequently partly restored by archivists). Other winners and nominees, such as Tom Jones and Star Wars, are widely available only in subsequently altered versions. The Broadway Melody originally had some sequences photographed in two-color Technicolor. This footage survives only in black and white.[21]
The 1928 film The Patriot is the only Best Picture nominee that is lost (about one-third is extant).[22]The Racket, also from 1928, was believed lost for many years until a print was found in Howard Hughes' archives. It has since been restored and shown on Turner Classic Movies.[23] The only surviving complete prints of 1931's East Lynne and 1934's The White Parade exist within the UCLA film archive.[24]
Winners and nominees
In the list below, winners are listed first in the colored row, followed by the other nominees.[6] Except for the early years (when the Academy used a non-calendar year), the year shown is the one in which the film first premiered in Los Angeles County, California; normally this is also the year of first release, however, it may be the year after first release (as with Casablanca and, if the film-festival premiere is considered, Crash). This is also the year before the ceremony at which the award is given; for example, a film exhibited theatrically during 2005 was eligible for consideration for the 2005 Best Picture Oscar, awarded in 2006. The number of the ceremony (1st, 2nd, etc.) appears in parentheses after the awards year, linked to the article on that ceremony. Each individual entry shows the title followed by nominee.
Until 1950, the Best Picture award was given to the production company; from 1951 on, it has gone to the producer or producers. The Academy used the producer credits of the Producers Guild of America (PGA) until 1998, when all five producers of Shakespeare in Love made speeches after its win.[8][9] A three-producer limit has been applied some years since.[9][10] There was controversy over the exclusion of some PGA-credited producers of Crash and Little Miss Sunshine.[10] The Academy can make exceptions to the limit, as when Anthony Minghella and Sydney Pollack were posthumously among the four nominated for The Reader.[12] However, now any number of producers on a film can be nominated for Best Picture, should they be deemed eligible.
For the first ceremony, three films were nominated for the award. For the following three years, five films were nominated for the award. This was expanded to eight in 1933, to ten in 1934, and to twelve in 1935, before being dropped back to ten in 1937. In 1945, it was further reduced to five. This number remained until 2009, when the limit was raised to ten and later adjusted in 2011, to vary between five and ten.
For the first six ceremonies, the eligibility period spanned two calendar years. For example, the 2nd Academy Awards presented on April 3, 1930, recognized films that were released between August 1, 1928, and July 31, 1929. Starting with the 7th Academy Awards, held in 1935, the period of eligibility became the full previous calendar year from January 1 to December 31.
indicates the winner
1920s
| Year | Film | Film Studio |
|---|---|---|
1927/28 (1st) | ||
Wings | Paramount Famous Lasky | |
The Racket | The Caddo Company | |
7th Heaven | Fox | |
1928/29 (2nd) [note 1] | ||
The Broadway Melody | Metro-Goldwyn-Mayer | |
Alibi | Feature Productions | |
Hollywood Revue | Metro-Goldwyn-Mayer | |
In Old Arizona | Fox | |
The Patriot | Paramount Famous Lasky |
1930s
| Year | Film | Film Studio |
|---|---|---|
1929/30 (3rd) | ||
All Quiet on the Western Front | Universal | |
The Big House | Cosmopolitan | |
Disraeli | Warner Bros. | |
The Divorcee | Metro-Goldwyn-Mayer | |
The Love Parade | Paramount Famous Lasky | |
1930/31 (4th) | ||
Cimarron | RKO Radio | |
East Lynne | Fox | |
The Front Page | The Caddo Company | |
Skippy | Paramount Publix | |
Trader Horn | Metro-Goldwyn-Mayer | |
1931/32 (5th) | ||
Grand Hotel | Metro-Goldwyn-Mayer | |
Arrowsmith | Samuel Goldwyn Productions | |
Bad Girl | Fox | |
The Champ | Metro-Goldwyn-Mayer | |
Five Star Final | First National | |
One Hour with You | Paramount Publix | |
Shanghai Express | Paramount Publix | |
The Smiling Lieutenant | Paramount Publix | |
1932/33 (6th) [note 2] | ||
Cavalcade | Fox | |
42nd Street | Warner Bros. | |
A Farewell to Arms | Paramount | |
I Am a Fugitive from a Chain Gang | Warner Bros. | |
Lady for a Day | Columbia | |
Little Women | RKO Radio | |
The Private Life of Henry VIII | London Films | |
She Done Him Wrong | Paramount | |
Smilin' Through | Metro-Goldwyn-Mayer | |
State Fair | Fox | |
1934 (7th) [note 3] | ||
It Happened One Night | Columbia | |
The Barretts of Wimpole Street | Metro-Goldwyn-Mayer | |
Cleopatra | Paramount | |
Flirtation Walk | First National | |
The Gay Divorcee | RKO Radio | |
Here Comes the Navy | Warner Bros. | |
The House of Rothschild | 20th Century | |
Imitation of Life | Universal | |
One Night of Love | Columbia | |
The Thin Man | Metro-Goldwyn-Mayer | |
Viva Villa! | Metro-Goldwyn-Mayer | |
The White Parade | Jesse L. Lasky (production company) | |
1935 (8th) [note 4] | ||
Mutiny on the Bounty | Metro-Goldwyn-Mayer | |
Alice Adams | RKO Radio | |
Broadway Melody of 1936 | Metro-Goldwyn-Mayer | |
Captain Blood | Cosmopolitan | |
David Copperfield | Metro-Goldwyn-Mayer | |
The Informer | RKO Radio | |
The Lives of a Bengal Lancer | Paramount | |
A Midsummer Night's Dream | Warner Bros. | |
Les Misérables | 20th Century | |
Naughty Marietta | Metro-Goldwyn-Mayer | |
Ruggles of Red Gap | Paramount | |
Top Hat | RKO Radio | |
1936 (9th) | ||
The Great Ziegfeld | Metro-Goldwyn-Mayer | |
Anthony Adverse | Warner Bros. | |
Dodsworth | Samuel Goldwyn Productions | |
Libeled Lady | Metro-Goldwyn-Mayer | |
Mr. Deeds Goes to Town | Columbia | |
Romeo and Juliet | Metro-Goldwyn-Mayer | |
San Francisco | Metro-Goldwyn-Mayer | |
The Story of Louis Pasteur | Cosmopolitan | |
A Tale of Two Cities | Metro-Goldwyn-Mayer | |
Three Smart Girls | Universal | |
1937 (10th) | ||
The Life of Emile Zola | Warner Bros. | |
The Awful Truth | Columbia | |
Captains Courageous | Metro-Goldwyn-Mayer | |
Dead End | Samuel Goldwyn Productions | |
The Good Earth | Metro-Goldwyn-Mayer | |
In Old Chicago | 20th Century-Fox | |
Lost Horizon | Columbia | |
One Hundred Men and a Girl | Universal | |
Stage Door | RKO Radio | |
A Star Is Born | Selznick International Pictures | |
1938 (11th) | ||
You Can't Take It with You | Columbia | |
The Adventures of Robin Hood | Warner Bros.-First National | |
Alexander's Ragtime Band | 20th Century-Fox | |
Boys Town | Metro-Goldwyn-Mayer | |
The Citadel | Metro-Goldwyn-Mayer | |
Four Daughters | Warner Bros.-First National | |
Grand Illusion | Realization D'Art Cinematographique | |
Jezebel | Warner Bros. | |
Pygmalion | Metro-Goldwyn-Mayer | |
Test Pilot | Metro-Goldwyn-Mayer | |
1939 (12th) | ||
Gone with the Wind | Selznick International Pictures | |
Dark Victory | Warner Bros.-First National | |
Goodbye, Mr. Chips | Metro-Goldwyn-Mayer | |
Love Affair | RKO Radio | |
Mr. Smith Goes to Washington | Columbia | |
Ninotchka | Metro-Goldwyn-Mayer | |
Of Mice and Men | Hal Roach (production company) | |
Stagecoach | Walter Wanger (production company) | |
The Wizard of Oz | Metro-Goldwyn-Mayer | |
Wuthering Heights | Samuel Goldwyn Productions |
1940s
| Year | Film | Film Studio |
|---|---|---|
1940 (13th) | ||
Rebecca | Selznick International Pictures | |
All This, and Heaven Too | Warner Bros. | |
Foreign Correspondent | Walter Wanger (production company) | |
The Grapes of Wrath | 20th Century-Fox | |
The Great Dictator | Charles Chaplin Productions | |
Kitty Foyle | RKO Radio | |
The Letter | Warner Bros. | |
The Long Voyage Home | Argosy-Wanger | |
Our Town | Sol Lesser (production company) | |
The Philadelphia Story | Metro-Goldwyn-Mayer | |
1941 (14th) | ||
How Green Was My Valley | 20th Century-Fox | |
Blossoms in the Dust | Metro-Goldwyn-Mayer | |
Citizen Kane | Mercury | |
Here Comes Mr. Jordan | Columbia | |
Hold Back the Dawn | Paramount | |
The Little Foxes | Samuel Goldwyn Productions | |
The Maltese Falcon | Warner Bros. | |
One Foot in Heaven | Warner Bros. | |
Sergeant York | Warner Bros. | |
Suspicion | RKO Radio | |
1942 (15th) | ||
Mrs. Miniver | Metro-Goldwyn-Mayer | |
The Invaders | Ortus | |
Kings Row | Warner Bros. | |
The Magnificent Ambersons | Mercury | |
The Pied Piper | 20th Century-Fox | |
The Pride of the Yankees | Samuel Goldwyn Productions | |
Random Harvest | Metro-Goldwyn-Mayer | |
The Talk of the Town | Columbia | |
Wake Island | Paramount | |
Yankee Doodle Dandy | Warner Bros. | |
1943 (16th) | ||
Casablanca | Warner Bros. | |
For Whom the Bell Tolls | Paramount | |
Heaven Can Wait | 20th Century-Fox | |
The Human Comedy | Metro-Goldwyn-Mayer | |
In Which We Serve | Two Cities Films | |
Madame Curie | Metro-Goldwyn-Mayer | |
The More the Merrier | Columbia | |
The Ox-Bow Incident | 20th Century-Fox | |
The Song of Bernadette | 20th Century-Fox | |
Watch on the Rhine | Warner Bros. | |
1944 (17th) | ||
Going My Way | Paramount | |
Double Indemnity | Paramount | |
Gaslight | Metro-Goldwyn-Mayer | |
Since You Went Away | Selznick International Pictures | |
Wilson | 20th Century-Fox | |
1945 (18th) | ||
The Lost Weekend | Paramount | |
Anchors Aweigh | Metro-Goldwyn-Mayer | |
The Bells of St. Mary's | Rainbow Productions | |
Mildred Pierce | Warner Bros. | |
Spellbound | Selznick International Pictures | |
1946 (19th) | ||
The Best Years of Our Lives | Samuel Goldwyn Productions | |
Henry V | Two Cities Films | |
It's a Wonderful Life | Liberty Films | |
The Razor's Edge | 20th Century-Fox | |
The Yearling | Metro-Goldwyn-Mayer | |
1947 (20th) | ||
Gentleman's Agreement | 20th Century-Fox | |
The Bishop's Wife | Samuel Goldwyn Productions | |
Crossfire | RKO Radio | |
Great Expectations | J. Arthur Rank-Cineguild | |
Miracle on 34th Street | 20th Century-Fox | |
1948 (21st) | ||
Hamlet | J. Arthur Rank-Two Cities Films | |
Johnny Belinda | Warner Bros. | |
The Red Shoes | J. Arthur Rank-Archers | |
The Snake Pit | 20th Century-Fox | |
The Treasure of the Sierra Madre | Warner Bros. | |
1949 (22nd) | ||
All the King's Men | Robert Rossen Productions | |
Battleground | Metro-Goldwyn-Mayer | |
The Heiress | Paramount | |
A Letter to Three Wives | 20th Century-Fox | |
Twelve O'Clock High | 20th Century-Fox |
1950s
| Year | Film | Film Studio/Producer(s) |
|---|---|---|
1950 (23rd) | ||
All About Eve | 20th Century-Fox | |
Born Yesterday | Columbia | |
Father of the Bride | Metro-Goldwyn-Mayer | |
King Solomon's Mines | Metro-Goldwyn-Mayer | |
Sunset Boulevard | Paramount | |
1951 (24th) | ||
An American in Paris | Arthur Freed | |
Decision Before Dawn | Anatole Litvak and Frank McCarthy | |
A Place in the Sun | George Stevens | |
Quo Vadis | Sam Zimbalist | |
A Streetcar Named Desire | Charles K. Feldman | |
1952 (25th) | ||
The Greatest Show on Earth | Cecil B. DeMille | |
High Noon | Stanley Kramer | |
Ivanhoe | Pandro S. Berman | |
Moulin Rouge | John Huston, John Woolf and James Woolf | |
The Quiet Man | John Ford and Merian C. Cooper | |
1953 (26th) | ||
From Here to Eternity | Buddy Adler | |
Julius Caesar | John Houseman | |
The Robe | Frank Ross | |
Roman Holiday | William Wyler | |
Shane | George Stevens | |
1954 (27th) | ||
On the Waterfront | Sam Spiegel | |
The Caine Mutiny | Stanley Kramer | |
The Country Girl | William Perlberg | |
Seven Brides for Seven Brothers | Jack Cummings | |
Three Coins in the Fountain | Sol C. Siegel | |
1955 (28th) | ||
Marty | Harold Hecht | |
Love Is a Many-Splendored Thing | Buddy Adler | |
Mister Roberts | Leland Hayward | |
Picnic | Fred Kohlmar | |
The Rose Tattoo | Hal B. Wallis | |
1956 (29th) | ||
Around the World in 80 Days | Michael Todd | |
Friendly Persuasion | William Wyler | |
Giant | George Stevens and Henry Ginsberg | |
The King and I | Charles Brackett | |
The Ten Commandments | Cecil B. DeMille | |
1957 (30th) | ||
The Bridge on the River Kwai | Sam Spiegel | |
12 Angry Men | Henry Fonda and Reginald Rose | |
Peyton Place | Jerry Wald | |
Sayonara | William Goetz | |
Witness for the Prosecution | Arthur Hornblow Jr. | |
1958 (31st) | ||
Gigi | Arthur Freed | |
Auntie Mame | Jack L. Warner | |
Cat on a Hot Tin Roof | Lawrence Weingarten | |
The Defiant Ones | Stanley Kramer | |
Separate Tables | Harold Hecht | |
1959 (32nd) | ||
Ben-Hur | Sam Zimbalist | |
Anatomy of a Murder | Otto Preminger | |
The Diary of Anne Frank | George Stevens | |
The Nun's Story | Henry Blanke | |
Room at the Top | John Woolf and James Woolf |
1960s
| Year | Film | Producer(s) |
|---|---|---|
1960 (33rd) | ||
The Apartment | Billy Wilder | |
The Alamo | John Wayne | |
Elmer Gantry | Bernard Smith | |
Sons and Lovers | Jerry Wald | |
The Sundowners | Fred Zinnemann | |
1961 (34th) | ||
West Side Story | Robert Wise | |
Fanny | Joshua Logan | |
The Guns of Navarone | Carl Foreman | |
The Hustler | Robert Rossen | |
Judgment at Nuremberg | Stanley Kramer | |
1962 (35th) | ||
Lawrence of Arabia | Sam Spiegel | |
The Longest Day | Darryl F. Zanuck | |
The Music Man | Morton DaCosta | |
Mutiny on the Bounty | Aaron Rosenberg | |
To Kill a Mockingbird | Alan J. Pakula | |
1963 (36th) | ||
Tom Jones | Tony Richardson | |
America America | Elia Kazan | |
Cleopatra | Walter Wanger | |
How the West Was Won | Bernard Smith | |
Lilies of the Field | Ralph Nelson | |
1964 (37th) | ||
My Fair Lady | Jack L. Warner | |
Becket | Hal B. Wallis | |
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | Stanley Kubrick | |
Mary Poppins | Walt Disney and Bill Walsh | |
Zorba the Greek | Michael Cacoyannis | |
1965 (38th) | ||
The Sound of Music | Robert Wise | |
Darling | Joseph Janni | |
Doctor Zhivago | Carlo Ponti | |
Ship of Fools | Stanley Kramer | |
A Thousand Clowns | Fred Coe | |
1966 (39th) | ||
A Man for All Seasons | Fred Zinnemann | |
Alfie | Lewis Gilbert | |
The Russians Are Coming, the Russians Are Coming | Norman Jewison | |
The Sand Pebbles | Robert Wise | |
Who's Afraid of Virginia Woolf? | Ernest Lehman | |
1967 (40th) | ||
In the Heat of the Night | Walter Mirisch | |
Bonnie and Clyde | Warren Beatty | |
Doctor Dolittle | Arthur P. Jacobs | |
The Graduate | Lawrence Turman | |
Guess Who's Coming to Dinner | Stanley Kramer | |
1968 (41st) | ||
Oliver! | John Woolf | |
Funny Girl | Ray Stark | |
The Lion in Winter | Martin Poll | |
Rachel, Rachel | Paul Newman | |
Romeo and Juliet | Anthony Havelock-Allan and John Brabourne | |
1969 (42nd) | ||
Midnight Cowboy | Jerome Hellman | |
Anne of the Thousand Days | Hal B. Wallis | |
Butch Cassidy and the Sundance Kid | John Foreman | |
Hello, Dolly! | Ernest Lehman | |
Z | Jacques Perrin and Ahmed Rachedi |
1970s
| Year | Film | Producer(s) |
|---|---|---|
1970 (43rd) | ||
Patton | Frank McCarthy | |
Airport | Ross Hunter | |
Five Easy Pieces | Bob Rafelson and Richard Wechsler | |
Love Story | Howard G. Minsky | |
MASH | Ingo Preminger | |
1971 (44th) | ||
The French Connection | Philip D'Antoni | |
A Clockwork Orange | Stanley Kubrick | |
Fiddler on the Roof | Norman Jewison | |
The Last Picture Show | Stephen J. Friedman | |
Nicholas and Alexandra | Sam Spiegel | |
1972 (45th) | ||
The Godfather | Albert S. Ruddy | |
Cabaret | Cy Feuer | |
Deliverance | John Boorman | |
The Emigrants | Bengt Forslund | |
Sounder | Robert B. Radnitz | |
1973 (46th) | ||
The Sting | Tony Bill, Michael Phillips, and Julia Phillips | |
American Graffiti | Francis Ford Coppola and Gary Kurtz | |
Cries and Whispers | Ingmar Bergman | |
The Exorcist | William Peter Blatty | |
A Touch of Class | Melvin Frank | |
1974 (47th) | ||
The Godfather Part II | Francis Ford Coppola, Gray Frederickson, and Fred Roos | |
Chinatown | Robert Evans | |
The Conversation | Francis Ford Coppola | |
Lenny | Marvin Worth | |
The Towering Inferno | Irwin Allen | |
1975 (48th) | ||
One Flew Over the Cuckoo's Nest | Michael Douglas and Saul Zaentz | |
Barry Lyndon | Stanley Kubrick | |
Dog Day Afternoon | Martin Bregman and Martin Elfand | |
Jaws | Richard D. Zanuck and David Brown | |
Nashville | Robert Altman | |
1976 (49th) | ||
Rocky | Irwin Winkler and Robert Chartoff | |
All the President's Men | Walter Coblenz | |
Bound for Glory | Robert F. Blumofe and Harold Leventhal | |
Network | Howard Gottfried | |
Taxi Driver | Michael Phillips and Julia Phillips | |
1977 (50th) | ||
Annie Hall | Charles H. Joffe | |
The Goodbye Girl | Ray Stark | |
Julia | Richard Roth | |
Star Wars | Gary Kurtz | |
The Turning Point | Herbert Ross and Arthur Laurents | |
1978 (51st) | ||
The Deer Hunter | Barry Spikings, Michael Deeley, Michael Cimino, and John Peverall | |
Coming Home | Jerome Hellman | |
Heaven Can Wait | Warren Beatty | |
Midnight Express | Alan Marshall and David Puttnam | |
An Unmarried Woman | Paul Mazursky and Tony Ray | |
1979 (52nd) | ||
Kramer vs. Kramer | Stanley R. Jaffe | |
All That Jazz | Robert Alan Aurthur | |
Apocalypse Now | Francis Ford Coppola, Fred Roos, Gray Frederickson, and Tom Sternberg | |
Breaking Away | Peter Yates | |
Norma Rae | Tamara Asseyev and Alex Rose |
1980s
| Year | Film | Producer(s) |
|---|---|---|
1980 (53rd) | ||
Ordinary People | Ronald L. Schwary | |
Coal Miner's Daughter | Bernard Schwartz | |
The Elephant Man | Jonathan Sanger | |
Raging Bull | Irwin Winkler and Robert Chartoff | |
Tess | Claude Berri and Timothy Burrill | |
1981 (54th) | ||
Chariots of Fire | David Puttnam | |
Atlantic City | Denis Héroux | |
On Golden Pond | Bruce Gilbert | |
Raiders of the Lost Ark | Frank Marshall | |
Reds | Warren Beatty | |
1982 (55th) | ||
Gandhi | Richard Attenborough | |
E.T. the Extra-Terrestrial | Steven Spielberg and Kathleen Kennedy | |
Missing | Edward Lewis and Mildred Lewis | |
Tootsie | Sydney Pollack and Dick Richards | |
The Verdict | Richard D. Zanuck and David Brown | |
1983 (56th) | ||
Terms of Endearment | James L. Brooks | |
The Big Chill | Michael Shamberg | |
The Dresser | Peter Yates | |
The Right Stuff | Irwin Winkler and Robert Chartoff | |
Tender Mercies | Philip S. Hobel | |
1984 (57th) | ||
Amadeus | Saul Zaentz | |
The Killing Fields | David Puttnam | |
A Passage to India | John Brabourne and Richard B. Goodwin | |
Places in the Heart | Arlene Donovan | |
A Soldier's Story | Norman Jewison, Ronald L. Schwary, and Patrick Palmer | |
1985 (58th) | ||
Out of Africa | Sydney Pollack | |
The Color Purple | Steven Spielberg, Kathleen Kennedy, Frank Marshall, and Quincy Jones | |
Kiss of the Spider Woman | David Weisman | |
Prizzi's Honor | John Foreman | |
Witness | Edward S. Feldman | |
1986 (59th) | ||
Platoon | Arnold Kopelson | |
Children of a Lesser God | Burt Sugarman and Patrick J. Palmer | |
Hannah and Her Sisters | Robert Greenhut | |
The Mission | Fernando Ghia and David Puttnam | |
A Room with a View | Ismail Merchant | |
1987 (60th) | ||
The Last Emperor | Jeremy Thomas | |
Broadcast News | James L. Brooks | |
Fatal Attraction | Stanley R. Jaffe and Sherry Lansing | |
Hope and Glory | John Boorman | |
Moonstruck | Patrick J. Palmer and Norman Jewison | |
1988 (61st) | ||
Rain Man | Mark Johnson | |
The Accidental Tourist | Lawrence Kasdan, Charles Okun, and Michael Grillo | |
Dangerous Liaisons | Norma Heyman and Hank Moonjean | |
Mississippi Burning | Frederick Zollo and Robert F. Colesberry | |
Working Girl | Douglas Wick | |
1989 (62nd) | ||
Driving Miss Daisy | Richard D. Zanuck and Lili Fini Zanuck | |
Born on the Fourth of July | A. Kitman Ho and Oliver Stone | |
Dead Poets Society | Steven Haft, Paul Junger Witt, and Tony Thomas | |
Field of Dreams | Lawrence Gordon and Charles Gordon | |
My Left Foot | Noel Pearson |
1990s
| Year | Film | Producer(s) |
|---|---|---|
1990 (63rd) | ||
Dances with Wolves | Jim Wilson and Kevin Costner | |
Awakenings | Walter Parkes and Lawrence Lasker | |
Ghost | Lisa Weinstein | |
The Godfather Part III | Francis Ford Coppola | |
Goodfellas | Irwin Winkler | |
1991 (64th) | ||
The Silence of the Lambs | Edward Saxon, Kenneth Utt, and Ron Bozman | |
Beauty and the Beast | Don Hahn | |
Bugsy | Mark Johnson, Barry Levinson and Warren Beatty | |
JFK | A. Kitman Ho and Oliver Stone | |
The Prince of Tides | Barbra Streisand and Andrew S. Karsch | |
1992 (65th) | ||
Unforgiven | Clint Eastwood | |
The Crying Game | Stephen Woolley | |
A Few Good Men | David Brown, Rob Reiner, and Andrew Scheinman | |
Howards End | Ismail Merchant | |
Scent of a Woman | Martin Brest | |
1993 (66th) | ||
Schindler's List | Steven Spielberg, Gerald R. Molen, and Branko Lustig | |
The Fugitive | Arnold Kopelson | |
In the Name of the Father | Jim Sheridan | |
The Piano | Jan Chapman | |
The Remains of the Day | Mike Nichols, John Calley, and Ismail Merchant | |
1994 (67th) | ||
Forrest Gump | Wendy Finerman, Steve Tisch, and Steve Starkey | |
Four Weddings and a Funeral | Duncan Kenworthy | |
Pulp Fiction | Lawrence Bender | |
Quiz Show | Michael Jacobs, Julian Krainin, Michael Nozik, and Robert Redford | |
The Shawshank Redemption | Niki Marvin | |
1995 (68th) | ||
Braveheart | Mel Gibson, Alan Ladd Jr., and Bruce Davey | |
Apollo 13 | Brian Grazer | |
Babe | Bill Miller, George Miller, and Doug Mitchell | |
The Postman (Il Postino) | Mario Cecchi Gori, Vittorio Cecchi Gori, and Gaetano Daniele | |
Sense and Sensibility | Lindsay Doran | |
1996 (69th) | ||
The English Patient | Saul Zaentz | |
Fargo | Ethan Coen | |
Jerry Maguire | James L. Brooks, Laurence Mark, Richard Sakai, and Cameron Crowe | |
Secrets & Lies | Simon Channing-Williams | |
Shine | Jane Scott | |
1997 (70th) | ||
Titanic | James Cameron and Jon Landau | |
As Good as It Gets | James L. Brooks, Bridget Johnson, and Kristi Zea | |
The Full Monty | Umberto Pasolini | |
Good Will Hunting | Lawrence Bender | |
L.A. Confidential | Curtis Hanson, Arnon Milchan, and Michael Nathanson | |
1998 (71st) | ||
Shakespeare in Love | David Parfitt, Donna Gigliotti, Harvey Weinstein, Edward Zwick, and Marc Norman | |
Elizabeth | Alison Owen, Eric Fellner and Tim Bevan | |
Life Is Beautiful | Elda Ferri and Gianluigi Braschi | |
Saving Private Ryan | Steven Spielberg, Ian Bryce, Mark Gordon, and Gary Levinsohn | |
The Thin Red Line | Robert Michael Geisler, John Roberdeau, and Grant Hill | |
1999 (72nd) | ||
American Beauty | Bruce Cohen and Dan Jinks | |
The Cider House Rules | Richard N. Gladstein | |
The Green Mile | Frank Darabont and David Valdes | |
The Insider | Pieter Jan Brugge and Michael Mann | |
The Sixth Sense | Frank Marshall, Kathleen Kennedy, and Barry Mendel |
2000s
| Year | Film | Producer(s) |
|---|---|---|
2000 (73rd) | ||
Gladiator | Douglas Wick, David Franzoni, and Branko Lustig | |
Chocolat | David Brown, Kit Golden, and Leslie Holleran | |
Crouching Tiger, Hidden Dragon | William Kong, Hsu Li-kong, and Ang Lee | |
Erin Brockovich | Danny DeVito, Michael Shamberg, and Stacey Sher | |
Traffic | Edward Zwick, Marshall Herskovitz, and Laura Bickford | |
2001 (74th) | ||
A Beautiful Mind | Brian Grazer and Ron Howard | |
Gosford Park | Robert Altman, Bob Balaban, and David Levy | |
In the Bedroom | Graham Leader, Ross Katz, and Todd Field | |
The Lord of the Rings: The Fellowship of the Ring | Peter Jackson, Fran Walsh, and Barrie M. Osborne | |
Moulin Rouge! | Martin Brown, Baz Luhrmann, and Fred Baron | |
2002 (75th) | ||
Chicago | Martin Richards | |
Gangs of New York | Alberto Grimaldi and Harvey Weinstein | |
The Hours | Scott Rudin and Robert Fox | |
The Lord of the Rings: The Two Towers | Barrie M. Osborne, Fran Walsh, and Peter Jackson | |
The Pianist | Roman Polanski, Robert Benmussa, and Alain Sarde | |
2003 (76th) | ||
The Lord of the Rings: The Return of the King | Barrie M. Osborne, Peter Jackson, and Fran Walsh | |
Lost in Translation | Ross Katz and Sofia Coppola | |
Master and Commander: The Far Side of the World | Samuel Goldwyn Jr., Peter Weir, and Duncan Henderson | |
Mystic River | Robert Lorenz, Judie G. Hoyt, and Clint Eastwood | |
Seabiscuit | Kathleen Kennedy, Frank Marshall, and Gary Ross | |
2004 (77th) | ||
Million Dollar Baby | Clint Eastwood, Albert S. Ruddy, and Tom Rosenberg | |
The Aviator | Michael Mann and Graham King | |
Finding Neverland | Richard N. Gladstein and Nellie Bellflower | |
Ray | Taylor Hackford, Stuart Benjamin, and Howard Baldwin | |
Sideways | Michael London | |
2005 (78th) | ||
Crash | Paul Haggis and Cathy Schulman | |
Brokeback Mountain | Diana Ossana and James Schamus | |
Capote | Caroline Baron, William Vince, and Michael Ohoven | |
Good Night, and Good Luck | Grant Heslov | |
Munich | Steven Spielberg, Kathleen Kennedy, and Barry Mendel | |
2006 (79th) | ||
The Departed | Graham King | |
Babel | Alejandro González Iñárritu, Steve Golin, and Jon Kilik | |
Letters from Iwo Jima | Clint Eastwood, Steven Spielberg, and Robert Lorenz | |
Little Miss Sunshine | David T. Friendly, Peter Saraf, and Marc Turtletaub | |
The Queen | Andy Harries, Christine Langan, and Tracey Seaward | |
2007 (80th) | ||
No Country for Old Men | Scott Rudin, Joel Coen, and Ethan Coen | |
Atonement | Tim Bevan, Eric Fellner, and Paul Webster | |
Juno | Lianne Halfon, Mason Novick, and Russell Smith | |
Michael Clayton | Jennifer Fox, Kerry Orent, and Sydney Pollack | |
There Will Be Blood | Paul Thomas Anderson, Daniel Lupi, and JoAnne Sellar | |
2008 (81st) | ||
Slumdog Millionaire | Christian Colson | |
The Curious Case of Benjamin Button | Kathleen Kennedy, Frank Marshall, and Ceán Chaffin | |
Frost/Nixon | Ron Howard, Brian Grazer, and Eric Fellner | |
Milk | Bruce Cohen and Dan Jinks | |
The Reader | Anthony Minghella, Sydney Pollack, Donna Gigliotti, and Redmond Morris | |
2009 (82nd) | ||
The Hurt Locker | Kathryn Bigelow, Mark Boal, Nicolas Chartier, and Greg Shapiro | |
Avatar | James Cameron and Jon Landau | |
The Blind Side | Gil Netter, Andrew A. Kosove, and Broderick Johnson | |
District 9 | Peter Jackson and Carolynne Cunningham | |
An Education | Finola Dwyer and Amanda Posey | |
Inglourious Basterds | Lawrence Bender | |
Precious: Based on the Novel 'Push' by Sapphire | Lee Daniels, Sarah Siegel-Magness, and Gary Magness | |
A Serious Man | Joel Coen and Ethan Coen | |
Up | Jonas Rivera | |
Up in the Air | Daniel Dubiecki, Ivan Reitman, and Jason Reitman |
2010s
| Year | Film | Producer(s) |
|---|---|---|
2010 (83rd) | ||
The King's Speech | Iain Canning, Emile Sherman, and Gareth Unwin | |
127 Hours | Danny Boyle, John Smithson, and Christian Colson | |
Black Swan | Scott Franklin, Mike Medavoy, and Brian Oliver | |
The Fighter | David Hoberman, Todd Lieberman, and Mark Wahlberg | |
Inception | Christopher Nolan and Emma Thomas | |
The Kids Are All Right | Gary Gilbert, Jeffrey Levy-Hinte, and Celine Rattray | |
The Social Network | Dana Brunetti, Ceán Chaffin, Michael De Luca, and Scott Rudin | |
Toy Story 3 | Darla K. Anderson | |
True Grit | Joel Coen, Ethan Coen, and Scott Rudin | |
Winter's Bone | Alix Madigan and Anne Rosellini | |
2011 (84th) | ||
The Artist | Thomas Langmann | |
The Descendants | Jim Burke, Alexander Payne, and Jim Taylor | |
Extremely Loud & Incredibly Close | Scott Rudin | |
The Help | Brunson Green, Chris Columbus, and Michael Barnathan | |
Hugo | Graham King and Martin Scorsese | |
Midnight in Paris | Letty Aronson and Stephen Tenenbaum | |
Moneyball | Michael De Luca, Rachael Horovitz, and Brad Pitt | |
The Tree of Life | Sarah Green, Bill Pohlad, Dede Gardner, and Grant Hill | |
War Horse | Steven Spielberg and Kathleen Kennedy | |
2012 (85th) | ||
Argo | Grant Heslov, Ben Affleck, and George Clooney | |
Amour | Margaret Menegoz, Stefan Arndt, Veit Heiduschka, and Michael Katz | |
Beasts of the Southern Wild | Dan Janvey, Josh Penn, and Michael Gottwald | |
Django Unchained | Stacey Sher, Reginald Hudlin, and Pilar Savone | |
Les Misérables | Tim Bevan, Eric Fellner, Debra Hayward, and Cameron Mackintosh | |
Life of Pi | Gil Netter, Ang Lee, and David Womark | |
Lincoln | Steven Spielberg and Kathleen Kennedy | |
Silver Linings Playbook | Donna Gigliotti, Bruce Cohen, and Jonathan Gordon | |
Zero Dark Thirty | Mark Boal, Kathryn Bigelow, and Megan Ellison | |
2013 (86th) | ||
12 Years a Slave | Brad Pitt, Dede Gardner, Jeremy Kleiner, Steve McQueen, and Anthony Katagas | |
American Hustle | Charles Roven, Richard Suckle, Megan Ellison, and Jonathan Gordon | |
Captain Phillips | Scott Rudin, Dana Brunetti, and Michael De Luca | |
Dallas Buyers Club | Robbie Brenner and Rachel Winter | |
Gravity | Alfonso Cuarón and David Heyman | |
Her | Megan Ellison, Spike Jonze, and Vincent Landay | |
Nebraska | Albert Berger and Ron Yerxa | |
Philomena | Gabrielle Tana, Steve Coogan, and Tracey Seaward | |
The Wolf of Wall Street | Martin Scorsese, Leonardo DiCaprio, Joey McFarland, and Emma Tillinger Koskoff | |
2014 (87th) | ||
Birdman or (The Unexpected Virtue of Ignorance) | Alejandro G. Iñárritu, John Lesher, and James W. Skotchdopole | |
American Sniper | Clint Eastwood, Andrew Lazar, Robert Lorenz, Bradley Cooper, and Peter Morgan | |
Boyhood | Richard Linklater and Cathleen Sutherland | |
The Grand Budapest Hotel | Wes Anderson, Scott Rudin, Steven M. Rales, and Jeremy Dawson | |
The Imitation Game | Nora Grossman, Ido Ostrowsky, and Teddy Schwarzman | |
Selma | Christian Colson, Oprah Winfrey, Dede Gardner, and Jeremy Kleiner | |
The Theory of Everything | Tim Bevan, Eric Fellner, Lisa Bruce, and Anthony McCarten | |
Whiplash | Jason Blum, Helen Estabrook, and David Lancaster | |
2015 (88th) | ||
Spotlight | Blye Pagon Faust, Steve Golin, Nicole Rocklin, and Michael Sugar | |
The Big Short | Dede Gardner, Jeremy Kleiner, and Brad Pitt | |
Bridge of Spies | Steven Spielberg, Marc Platt, and Kristie Macosko Krieger | |
Brooklyn | Finola Dwyer and Amanda Posey | |
Mad Max: Fury Road | Doug Mitchell and George Miller | |
The Martian | Simon Kinberg, Ridley Scott, Michael Schaefer, and Mark Huffam | |
The Revenant | Arnon Milchan, Steve Golin, Alejandro G. Iñárritu, Mary Parent, and Keith Redmon | |
Room | Ed Guiney | |
2016 (89th) | ||
Moonlight | Adele Romanski, Dede Gardner, and Jeremy Kleiner | |
Arrival | Shawn Levy, Dan Levine, Aaron Ryder, and David Linde | |
Fences | Scott Rudin, Denzel Washington, and Todd Black | |
Hacksaw Ridge | Bill Mechanic and David Permut | |
Hell or High Water | Carla Hacken and Julie Yorn | |
Hidden Figures | Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams, and Theodore Melfi | |
La La Land | Fred Berger, Jordan Horowitz, and Marc Platt | |
Lion | Emile Sherman, Iain Canning, and Angie Fielder | |
Manchester by the Sea | Matt Damon, Kimberly Steward, Chris Moore, Lauren Beck, and Kevin J. Walsh | |
2017 (90th) | ||
The Shape of Water | Guillermo del Toro and J. Miles Dale | |
Call Me by Your Name | Peter Spears, Luca Guadagnino, Emilie Georges, and Marco Morabito | |
Darkest Hour | Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten, and Douglas Urbanski | |
Dunkirk | Emma Thomas and Christopher Nolan | |
Get Out | Sean McKittrick, Jason Blum, Edward H. Hamm Jr., and Jordan Peele | |
Lady Bird | Scott Rudin, Eli Bush, and Evelyn O'Neill | |
Phantom Thread | JoAnne Sellar, Paul Thomas Anderson, Megan Ellison, and Daniel Lupi | |
The Post | Amy Pascal, Steven Spielberg, and Kristie Macosko Krieger | |
Three Billboards Outside Ebbing, Missouri | Graham Broadbent, Pete Czernin, and Martin McDonagh | |
2018 (91st) | ||
Black Panther | Kevin Feige | |
BlacKkKlansman | Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele and Spike Lee | |
Bohemian Rhapsody | Graham King | |
The Favourite | Ceci Dempsey, Ed Guiney, Lee Magiday and Yorgos Lanthimos | |
Green Book | Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly and Nick Vallelonga | |
Roma | Gabriela Rodríguez and Alfonso Cuarón | |
A Star Is Born | Bill Gerber, Bradley Cooper and Lynette Howell Taylor | |
Vice | Dede Gardner, Jeremy Kleiner, Adam McKay and Kevin Messick |
Individuals with multiple wins
|
|
Individuals with multiple nominations
|
|
|
|
Production companies with multiple nominations and wins
| Production Company | Nominations | Wins |
|---|---|---|
Metro-Goldwyn-Mayer | 40 | 5 |
20th Century Fox | 26 | 4 |
Warner Bros. Pictures | 25 | 2 |
Paramount Pictures | 20 | 3 |
Fox Searchlight Pictures | 17 | 4 |
Miramax Films | 15 | 4 |
DreamWorks | 13 | 3 |
Walt Disney Studios | 13 | 0 |
Columbia Pictures | 12 | 2 |
RKO Pictures | 11 | 1 |
Samuel Goldwyn Productions | 8 | 1 |
Selznick International Pictures | 5 | 2 |
Universal Pictures | 4 | 1 |
| J. Arthur Rank-Two Cities Films | 3 | 1 |
| Cosmopolitan | 3 | 0 |
| The Caddo Company | 2 | 0 |
| Walter Wanger (production company) | 2 | 0 |
| Mercury | 2 | 0 |
Pixar Animation Studios | 2 | 0 |
Notes
^ The 2nd Academy Awards is unique in being the only occasion where there were no official nominees. Subsequent research by AMPAS has resulted in a list of de facto nominees, based on records of which films were evaluated by the judges at the time.
^ The Academy also announced that A Farewell to Arms came in second, and Little Women third.
^ The Academy also announced that The Barretts of Wimpole Street came in second, and The House of Rothschild third.
^ The Academy also announced that The Informer came in second, and Captain Blood third.
See also
 |
|
- BAFTA Award for Best Film
- Independent Spirit Award for Best Film
- Critics' Choice Movie Award for Best Picture
- Golden Globe Award for Best Motion Picture – Drama
- Golden Globe Award for Best Motion Picture – Musical or Comedy
- Producers Guild of America Award for Best Theatrical Motion Picture
- Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture
- List of actors who have appeared in multiple Best Picture winners
- List of superlative Academy Award winners and nominees
- List of presenters of the Academy Award for Best Picture
- List of Big Five Academy Award winners and nominees
- Golden Raspberry Award for Worst Picture
- List of Academy Award-winning films
- List of film production companies
- List of films considered the best
- Lists of films
References
^ "How the Oscar Voting System Works". People.com. Retrieved 2018-01-23..mw-parser-output cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"""""""'""'"}.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/12px-Wikisource-logo.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}
^ "Oscars 2017: La La Land didn't win Best Picture. But should it have?". Vox. Retrieved 2018-01-23.
^ "Moonlight wins Best Picture, not La La Land, after Warren Beatty and Faye Dunaway gaffe". The Daily Telegraph. Retrieved 2018-01-23.
^ "The Best Picture Winners of the 21st Century". Indiewire. Retrieved 2018-01-23.
^ "The Oscars home is now the Dolby Theatre". Entertainment Weekly. Archived from the original on 2012-05-05. Retrieved 2012-05-24.
^ abc "Academy Awards Database – Best Picture Winners and Nominees". Academy of Motion Picture Arts and Sciences. Archived from the original on 2012-07-01. Retrieved 2012-05-24.
^ "Why SUNRISE: A SONG OF TWO HUMANS is Essential". Turner Classic Movies. Archived from the original on 2012-04-05. Retrieved 2012-05-24.
^ ab "Who gets the Oscar?". Sydney Morning Herald. Associated Press. February 4, 2005. Archived from the original on September 24, 2015. Retrieved October 23, 2013.
^ abc "Academy restricts Oscar winners". BBC. June 26, 2001. Archived from the original on December 14, 2013. Retrieved October 23, 2013.
^ abc McNary, Dave (January 21, 2008). "PGA avoids credit limit". Variety. Archived from the original on October 24, 2013.
^ abc "Rule Sixteen: Special Rules for the Best Picture of the Year Award". Rules for the 86th Academy Awards. Academy of Motion Picture Arts and Sciences. 2014. Archived from the original on 2013-07-17. Retrieved 2014-03-09.
^ ab Yamato, Jen (January 27, 2009). "Academy Makes Exceptions for Pollack, Minghella Does this mean more Oscar sympathy for surprise nominee The Reader?". Rotten Tomatoes. Archived from the original on October 27, 2013. Retrieved October 18, 2013.
^ "Best Director Facts – Trivia (Part 2)". Filmsite. Archived from the original on 2009-09-01. Retrieved 2009-11-13.
^ ab Joyce Eng (24 June 2009). "Oscar Expands Best Picture Race to 10 Nominees". TV Guide Online. Archived from the original on 8 December 2012. Retrieved 2009-06-24.
^ Poll: Vote on the Oscars Like an Academy Member Archived 2012-11-12 at the Wayback Machine, Rob Richie, Huffington Post, 16 February 2011
^ Steve Pond (2011-06-22). "New Best Picture Rules Could Discard Large Number of Oscar Ballots (Exclusive)". The Wrap. Archived from the original on March 4, 2014. Retrieved January 19, 2014.
^ Nikki Finke (2011-06-14). "OSCAR SHOCKER! Academy Builds Surprise & Secrecy Into Best Picture Race: Now There Can Be Anywhere From 5 To 10 Nominees". Deadline Hollywood. MMC. Archived from the original on 23 July 2011. Retrieved June 15, 2011.
^ ab "Best Pictures – Facts & Trivia (part 2)". Filmsite.org. Archived from the original on 2010-01-09. Retrieved 2009-11-13.
^ ab "Best Pictures – Genre Biases". Filmsite.org. Archived from the original on 2010-01-10. Retrieved 2009-11-13.
^ Rothman, Michael; Edison Hayden, Michael (February 27, 2017). "'Moonlight' wins best picture after 'La La Land' mistakenly announced". ABC News. Archived from the original on February 27, 2017. Retrieved February 27, 2017.
^ "The Broadway Melody". AFI Catalog of Feature Films. American Film Institute. Archived from the original on July 14, 2014. Retrieved July 7, 2014.The Technicolor footage for this sequence has since been lost, and only a black-and-white version is now available.
^ "Oscar's Most Wanted". Academy of Motion Picture Arts and Sciences. Archived from the original on 2012-10-01. Retrieved 2012-05-24.
^ "The Racket – Progressive Silent Film List". Silent Era. Archived from the original on 2012-03-31. Retrieved 2012-05-24.
^ "East Lynne Trivia". Turner Classic Movies. Archived from the original on 2013-12-15. Retrieved 2012-05-24.
External links
Oscars.org (official Academy site)
Oscar.com (official ceremony site)
The Academy Awards Database (official site)
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Ceremonies‡
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| Footnote | ‡ Dates and years listed for each ceremony were the eligibility period of film release in Los Angeles County. For the first five ceremonies, the eligibility period was done on a seasonal basis, from August to July. For the 6th ceremony, held in 1934, the eligibility period lasted from August 1, 1932 to December 31, 1933. Since the 7th ceremony held in 1935, the period of eligibility became the full previous calendar year from January 1 to December 31. | ||||||
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Book
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