José Bedia Valdés










José Braulio Bedia Valdés
Born
(1959-01-13) January 13, 1959 (age 59)
Havana, Cuba




Señor de la Noche, acrylic on canvas by José Bedia Valdés, 1992, Honolulu Museum of Art


José Braulio Bedia Valdés (born January 13, 1959, in Havana, Cuba) is a Cuban painter.


Bedia studied at the Escuela Nacional de Bellas Artes "San Alejandro" and then finished his art studies at the Instituto Superior de Arte in Havana.




Contents






  • 1 Selected individual exhibitions


  • 2 Collective exhibitions


  • 3 Awards


  • 4 Collections


  • 5 Bibliography


  • 6 References


  • 7 External links





Selected individual exhibitions



  • 1989 – Final del Centauro – Castillo de la Real Fuerza, Havana, Cuba

  • 1994 – José Bedia: De Donde Vengo – Institute of Contemporary Art, University of Pennsylvania

  • 2004 – Estremecimientos – Museo Extremeño e Iberoamericano de Arte Contemporaneo (MEIAC), Badajoz, Spain

  • September 18, 2011 – January 8, 2012 – Transcultural Pilgrim: Three Decades of Work by José Bedia – Fowler Museum, UCLA



Collective exhibitions


In 1978 he began participating with other artists in several collective exhibitions. In 1980 he conformed the exhibition XIX Premi Internacional de Dibuix Joan Miró. Fundació Joan Miró, Centre d’Estudis d’Art Contemporani, Parc de Montjuic, Barcelona,Spain; Los novísimos cubanos. Grupo Volumen I was a significant exhibitionn that took place at The Signs Gallery, New York. He was selected to participate in the Cubans exhibition in the 1st and 2nd Havana Biennial Bienal de La Habana, Museo Nacional de Bellas Artes. In 1990 he was in the XLIV Exposizione Internazionale d’Arte, Biennale di Venezia, Venice, Italy. In 1994, his work was exhibited at "InSite94: A Binational Exhibition of Installation and Site Specific Art" San Diego Train Station, San Diego, California. Most recently in 2001 his pieces were part of Inside and Out, Contemporary Sculpture, Video and Installations, Bass Museum of Art, IV Bienal del Caribe y Centroamérica, Museo de Arte Moderno, Santo Domingo, Dominican Republic. In 2013 Bedia participated in the collective exhibit Drapetomania: Exposicion Homenaje a Grupo Antillano in Santiago de Cuba.



Awards


He has obtained several awards for his artistic work:



  • 1982 – First Prize in the "Salón Paisaje’82", Museo Nacional de Bellas Artes de La Habana, Havana, Cuba.

  • 1993 – International Guggenheim Fellowship, New York City.

  • 1988 – Distinction for the National Culture, Cuban Council of State, Havana, Cuba.



Collections


His pieces can be found in the permanent collections of:



  • George Adams Gallery, New York City


  • Arkansas Art Center, Little Rock, Arkansas


  • Birmingham Museum of Art, Birmingham, Alabama


  • Cantor Arts Center, Stanford University, California

  • Galería Nina Menocal in México


  • Honolulu Museum of Art, Honolulu, Hawaii


  • Loeb Art Center, Vassar College, Poughkeepsie, New York

  • Ludwig Forum für Internationale Kunst, Aachen, Germany


  • Miami Art Museum, Miami, Florida


  • Porin Taidemuseo, Finland


  • Centro Wifredo Lam, Havana


  • Museo Nacional de Bellas Artes de La Habana, Havana


  • NSU Art Museum, Fort Lauderdale, Florida

  • de la Cruz Collection, Florida


  • Kendall Art Center, Miami, Florida



Bibliography



  • Jose Bedia Works 19778-2006, Turner, 2007

  • Jose Bedia: Transcultural Pilgrim, Bettelheim and Berlo, 2012

  • José Bedia: Estremecimientos, Omar-Pascual Castillo, 2004



References



  • Jose Viegas; Memoria: Artes Visuales Cubanas Del Siglo Xx; (California International Arts 2004); .mw-parser-output cite.citation{font-style:inherit}.mw-parser-output q{quotes:"""""""'""'"}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-limited a,.mw-parser-output .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}
    ISBN 978-0-917571-12-1 (in Spanish)

  • josebedia.com (Personal Website of Jose Bedia)



External links




  • Oral history interview with José Bedia, 1998, February 13 from the Smithsonian Archives of American Art


  • Transcultural Pilgrim: Three Decades of Work by José Bedia at the Fowler Museum, UCLA










Comments

Post a Comment

Popular posts from this blog

Information security

Image
This article is part of a series on Information security Related security categories Internet security Cyberwarfare Computer security Mobile security Network security Threats Computer crime Vulnerability Eavesdropping Malware Spyware Ransomware Trojans Viruses Worms Rootkits Bootkits Keyloggers Screen scrapers Exploits Backdoors Logic bombs Payloads Denial of service Defenses Computer access control Application security Antivirus software Secure coding Secure by default Secure by design Secure operating systems Authentication Multi-factor authentication Authorization Data-centric security Encryption Firewall Intrusion detection system Mobile secure gateway Runtime application self-protection (RASP) v t e Information security , sometimes shortened to InfoSec , is the practice of preventing unauthorized access, use, disclosure, disruption, modification, inspection, recording or destruction of information. Th...
Read more

Lambak Kiri

Image
For Lambak Kiri public housing area, see Lambak Kiri Landless Indigenous Citizens' Housing Scheme. Village in Brunei-Muara, Brunei Lambak Kiri Village Location in Brunei Coordinates: 4°59′26″N 114°57′04″E  /  4.990472°N 114.951114°E  / 4.990472; 114.951114 Coordinates: 4°59′26″N 114°57′04″E  /  4.990472°N 114.951114°E  / 4.990472; 114.951114 Country Brunei District Brunei-Muara Mukim Berakas A Government  • Village head Hamdani Omar Postcode BB1214 Lambak Kiri is a populated place in Brunei-Muara District, Brunei. It is officially a village subdivision under Berakas A, a mukim in the district. Lambak Kiri may also refer to the greater area which includes the Lambak Kiri public housing area of the Landless Indigenous Citizens' Housing Scheme (Malay: Skim Tanah Kurnia Rakyat Jati ), although the latter is a separate subdivision. Contents 1 Name 2 Administration 3 See also 4 References Name ...
Read more

章鱼与海女图

Image
本条目 可参照英語維基百科相應條目来扩充 。 （2014/5/25） 若您熟悉来源语言和主题，请协助参考外语维基扩充条目。请勿直接提交机械翻译，也不要翻译不可靠、低品质内容。依版权协议，译文需在编辑摘要注明来源，或于讨论页顶部标记 {{Translated page}} 标签。 本条目 需要擴充。 （2013年8月15日） 请協助改善这篇條目，更進一步的信息可能會在討論頁或扩充请求中找到。请在擴充條目後將此模板移除。 《 章鱼与海女 》（日语： 蛸と海女 ／ たことあま   Tako to ama ）是一幅由日本畫家葛饰北斋创作的浮世绘，出自1814年（文化4年）出版的艳本《喜能会之故真通》（日语： 喜能会之故真通 ／ きのえのこまつ   Kinoe no Komatsu ）。畫中有兩隻章鱼以觸手攻擊一名採珠的海女，並進行擬似戀獸癖的交媾行為。作品尺寸为6½" × 8¾" （16.51 cm × 22.23 cm）。 [1] 在此之前的类似作品还有北尾重政的艳本《謡曲色番組》及勝川春潮的艳本《艳本千夜多女志》等，有被北斋作为参考的可能性。 《章鱼与海女图》有不同英文翻译，一般称The Dream of the Fisherman's Wife，又作Girl Diver and Octopi、Diver and Two Octopi，Richard Douglas Lane称其为 Girl Diver and Octopi [2] ，Mathi Forrer 称其为 Pearl Diver and Two Octopi [3] ，Danielle Talerico 称其为 Diver and Two Octopi 。 [4] 目录 1 作品介绍 1.1 画中对话 1.2 解释 2 评价 3 影响 3.1 模仿作品 4 另见 5 参考来源 6 外部連結 作品介绍 画中对话 原文 译文 大蛸： いつぞハいつぞハとねらいすましてゐたかいがあつて、けふといふけふ、とうとうとらまへたア。てもむつくりとしたいいぼぼだ。いもよりハなをこうぶつだ。サアサア、すつてすつてすいつくして...
Read more