Bernardo de' Dominici




Bernardo de' Dominici or Bernardo De Dominici (13 December 1683 – c. 1759) was an Italian art historian and painter of the late-Baroque period, active mainly in Naples. As a painter he was known for his landscapes, marine vedute and genre scenes in a style characteristic of the Bamboccianti. He is now mainly known for his art historical writings and in particular the Vite dei Pittori, Scultori, ed Architetti Napolitani, a three volume collection of brief biographies of Neapolitan artists.[1]




Contents






  • 1 Life


  • 2 Art historian of Naples


    • 2.1 Volume I


    • 2.2 Volume II


    • 2.3 Volume III


    • 2.4 Volume IV




  • 3 References





Life


Bernardo de' Dominici was born in Naples as the son of the painter, musician and collector Raimondo de' Dominici and Camilla Tartaglione. He was the brother of Giampaolo, a scholar, musician and theater maker and nephew of Suor Maria, a Maltese artist. His father was a Maltese who had been a pupil of Mattia Preti in Malta and had moved around his twentieth year to Naples. In 1698 when he was 14 years old Bernardo`s father took him to Malta to meet Preti. He became a pupil of Preti for about seven months until his training was cut short by Preti's death in January 1699.


After his return to Naples in 1701, he dedicated himself to painting as a pupil of Francesco Solimena who trained him in landscape painting but was also a history painter influenced by Preti. He also studied under the painter Franz Joachim Beich, a landscape painter from Ravensburg (in today's Baden-Württembergho was then working in Naples. He also studied with the Dutch painter Paul Ganses, who was a specialist of marines with moonlight.[1]


Bernardo de' Dominici became a landscape painter who also practised the genre of the "bambocciata", a style of genre painting that depicts the everyday life of the lower classes. He collaborated on such bambocciata with the painter Domenico Brandi. Nothing of his output in these areas has been found which is likely explained by the fact that this was a genre practised by so many artists and was therefore not disctintive. Dominici served for many years the duke of Laurenzana, Niccolò Gaetani dell'Aquila d'Aragona, and was the court painter of his wife, the poetess Aurora Sanseverino. He also exchanged sonnets with the poet Antonio Roviglione. He was in contact with the intellectual elite of Naples.[1]



Art historian of Naples


In 1727, Dominici published a biography of Luca Giordano.[2] Dominici, however, is best remembered as the Neapolitan Vasari, after publishing in 1742 an ample, yet flawed, three volume collection of brief biographies of Neapolitan artists, Vite dei Pittori, Scultori, ed Architetti Napolitani.[3] It recounts the careers of artists from the "School of Naples," among these:



Volume I









  • Giovanni Antonio di Amato; pages 320-326.


  • Angiolillo (Angelo Roccadirame); pages 151-154.


  • Antonio Bamboccio; pages 142-150.


  • Buono de' Buoni & son, Silvestro; pages 186-197.


  • Andrea Ciccione; pages 87–96.


  • Belisario Corenzio; pages 292-318.


  • Pietro and Polito del Donzello; pages 155-167.


  • Gasparo Ferrata; pages 206-209.


  • Agnolo Aniello Fiore; pages 168-171.


  • Colantonio; pages 96–109.





  • Agnolo Franco; pages 109-115.


  • Maestro Gennaro di Cola and Maestro Stefanone; pages 72–80.


  • Maestro Mino; pages 204-205.


  • Guglielmo Monaco; pages 206-209.


  • Giovanni Francesco Mormando 71-77.


  • Masuccio Primo; pages 17–27.


  • Matteo Sanese; pages 116-118.


  • Giacomo de Santis; pages 80–83.


  • Masuccio Segondo; pages 35–63.


  • Carlo Sellitto; pages 248-249.





  • Simone Martini; pages 64–72.

  • Francesco di Maestro Simone; pages 84–86.

  • Maestro Simone Pappa il vecchio; pages 172-176.


  • Antonio Solario (lo Zingaro); pages 118-141.


  • Pietro and Tommaso de' Stefani; pages 1–16.


  • Pippo (Filippo) Tesauro; pages 27–35.


  • Tesauro; pages 197-204.


  • Raimo Epifanio Tesauro;pages 211-216.


  • Nicola di Vito; pages 177-185.




Volume II









  • Giuseppe Agelio; pages 241-244.


  • Gabriello d'Agnolo; pages 65–70.


  • Giovanni Antonio di Amato il giovane; pages 52–58.


  • Pompeo dell' Aquila; pages 163-167.


  • Ambrogio Attendolo; page 150.


  • Giovanni Battista Anticone; pages 237-240.


  • Girolamo d'Arena;


  • Pietro d'Arena; pages 163-167.


  • Pietro Afesa; pages 241-244.


  • Domenico Auria or D'Auria; pages 166-192.


  • Giovanni Bernardino Azzolini; pages 163-167.


  • Giovanni Baglione; page 151.


  • Dionisio di Bartolomeo; pages 95–101.


  • Domenico de Benedittis; pages 241-244.


  • Silvestro Bruno (Buono); pages 219-22.


  • Annibale Caccavello (Caccabello); pages 136-142.


  • Cesare Calense; page 152.


  • D. Girolamo Capece; pages 143-149.


  • Antonio Capolongo; pages 163-167.


  • Francesco Сарuto; pages 237-240.

  • Marco Cardisco (Marco Calabrese); pages 59–62.


  • Lionardo Castellani; pages 163-167.


  • Giovanni Filippo Crescione; pages 163-167.


  • Giovanni Filippo Criscuolo; page 152.


  • Mariangiola Criscuolo; pages 327-330.


  • Giovanni Battista Cavagni; pages 95–101.


  • Giacomo Cosentino; page 153.





  • Giovanni Angelo Criscuolo; pages 154-162.


  • Giovanni Filippo Criscuolo; pages 154, 174-165 (sic).


  • Francesco Curia; pages 205-211.


  • Giovanni Vicenzo Corso; pages 63–64.

  • Fra Giulio Cesare Falco; page 150.


  • Antonio Fiorentino; pages 95–101.


  • Vincenzo Forlì; pages 163-167.


  • Mommetto Greuter; pages 163-167.


  • Sigismondo di Giovanni; pages 95–101.


  • Francesco Imparato; pages 143-149.


  • Girolamo Imparato; pages 212-218.


  • Giovanni Bernardo Lama; pages 114-126.


  • Pompeo Landulfo; pages 114-126.


  • Matteo da Lecce; page 151.


  • Pirro Ligorio; pages 168-173.


  • Battista Loca; pages 163-167.


  • Giacomo Manecchia; pages 163-167.


  • Ferdinando Manlio; pages 95–101.


  • Alessandro Martucci; page 151.


  • Cola della Matrice (Cola dell'Amatrice, Nicola Filotesio); p. 143-149.


  • Marco Mazzaroppi; pages 163-167.


  • Giovanno Merliano (Giovanno da Nola); pages 1–33.


  • Vincenzo della Monica; pages 95–101.


  • Giovanni Battista Nasoni; page 153.


  • Marco Antonio Nicotera; page 152.


  • Pietro Nigrone Calabrese; pages 127-135.


  • Onofrio Palomea; pages 241-244.





  • Pietro Paolo Ponzo; page 152.


  • Simon Papa il giovane; pages 127-135.


  • Bartolomeo Pettinato; pages 237-240.


  • Pietro dell Piata; pages 109-113.


  • Marco di Pino da Siena; pages 193-204.


  • Antonio Pizzo; page 152.


  • Scipione Pulzone (Scipione Gaetano); pages 168-173.


  • Aniello Redito; pages 237-240.


  • Giovanni Battista Rossi; pages 237-240.


  • Muzio Rossi; pages 241-244.


  • Nunzio Rossi; pages 143-149.


  • Giovanni Pietro Russo; page 150.

  • Francesco Ruvviale (Francesco Ruviali); pages 143-149.


  • Andrea del Salerno; pages 33–51.

  • Novello da San Luciano; pages 65–70.


  • Girolamo Santa Croce; pages 80–95.


  • Fabrizio Santafede; pages 223-236.


  • Francesco Santafede; pages 143-149.


  • Orazio Scoppa; pages 241-244.


  • Girolamo Siciolante da Sermoneta; pages 127-135.


  • Nicoló di Simone; pages 241-244.


  • Agnolo Sole; Volume 2, page 209-211.


  • Pietro Francione Spagnuoli; pages 143-149.


  • Giovanni Tomasso Splano; page 152.


  • Dezio Termisano; pages 163-167.


  • Cesare Turco; pages 102-108.

  • Father Giuseppe Valeriano (Jesuit); pages 168-173.


  • Andrea di Vito; pages 237-240.




Volume III








  • 1 Ippolito Borghese

  • 2 Suor Luisa Capomazzo

  • 3 Battistello Caracciolo

  • 4 Caravaggio

  • 5 Bernardo Cavallino

  • 6 Francesco Cozza, Antonio Verrio, and Ciccio Graziani

  • 7 Filippo D'Agnolo and Marcantonio Napolitano

  • 8 Aniello Falcone

  • 9 Cosimo Fansaga

  • 10 Giuliano Finelli




  • 11 Cesare, Francesco, and Michelagnolo Francanzone

  • 12 Domenico Gargiulo

  • 13 Artemisia Gentileschi

  • 14 Corrado Giaquinto

  • 15 Tommaso Giaquinto

  • 16 Luca Giordano

  • 17 Andrea de Lione

  • 18 Paolo de Matteis

  • 19 Giacomo del Po and Teresa del Po

  • 20 Cavaliere Francesco Mattia Preti




  • 21 Giuseppe di Ribera and his disciples

  • 22 Giovanni Luigi Roderico (Luise Siciliano)

  • 23 Anna di Rosa (Annella di Massimo)

  • 24 Pacecco de Rosa

  • 25 Giovanni Bernardino Siciliano

  • 26 Francesco Solimena

  • 27 Giovanni Battista Spinelli

  • 28 Massimo Stanzione and his disciples Francesco Guarino, Giuseppe Marullo, Antonio de Bellis, Agostino Beltrano, Carlo di Rosa, Giuseppe Beltrano, Domenico Finoglia, Giacinto de Populi, and Andrea Malinconico

  • 29 Andrea Vaccaro

  • 30 Lorenzo, Domenico Antonio, and Ludovico Vaccaro

  • 31 Gaetano Martoriello Michele Pagano, Giovanni Marziale, Giuseppe Tassone, Gaetano and Domenico Brandi, Carlo Moscatiello, Onofrio Naso, Pietro Cappelli, and Niccolo Bonito




Volume IV



  1. Fra Mattia Preti


  2. Pietro Ceraso, Agostino Ferraro, Aniello Perrone, Michele Perrone, and Domenico di Nardo


  3. Francesco Picchiatti called Picchetti; Gennaro Sacco and Arcangelo Guglielmelli

  4. Luca Giordano

  5. Giacomo Farelli


  6. Lorenzo Vaccaro, Lodovico Vaccaro and their disciples


  7. Giacomo del Po, Teresa del Po


  8. Paolo de Matteis and his disciples


  9. Gennaro Greco; Gaetano Martoriello; Michele Pagano; Giovanni Marziale; Giuseppe Tassone; Gaetano and Domenico Brandi; Carlo Moscatiello; Onofrio Naso; Pietro Capelli; and Niccolo Bonito

  10. Andre Belvedere


  11. Francesco Solimena, called Ciccio Solimena



References





  1. ^ abc F Ferdinando Bologna, Bernardo de Dominici, In: Dizionario Biografico degli Italiani - Volume 33 (1987)(in Italian)


  2. ^ *De Dominici, Bernardo (1729). Francesco Ricciardo, ed. Vita del Cavaliere D. Luca Giordano, pittore napoletano. Francesco Ricciardo, Naples; Digitized by Googlebooks from Oxford University copy on February 5, 2007..mw-parser-output cite.citation{font-style:inherit}.mw-parser-output q{quotes:"""""""'""'"}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-limited a,.mw-parser-output .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}


  3. ^ *De Dominici, Bernardo (1742). Vite dei Pittori, Scultori, ed Architetti Napolitani (2 volumes). Stamperia del Ricciardi, Naples; Digitized by Googlebooks from Oxford University copy on February 1, 2007.










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